If you're inner gorehound needs to be fed and if you're inner misogynist needs to be jerked off I highly recommend The Taint. You won't be disappointed by this throwback 80s splatterfest.
Watch the film below and be mesmerized by exploding dicks!

El monstro del mar!
El monstro del mar! (2012)
Directed by Stuart Simpson
Did you ever want to see the Suicide Girls take on a sea monster?
Well Australia has got you covered. Because in Stuart Simpson's El monstro del mar (translated to Monster of the Sea) you'll just see that. And that's pretty much it.
Monstro goes into the way back time machine to give us a throwback to B-movie monsterpalooza where a quiet seaside town goes under attack by 3 hot Aussie vixen pussycat kill kill killers as they battle a tentacle rape octupi.
The movie starts off as From Dusk til Dawn style as our 3 tatted up, goth femme fatales lay a Venus fly trap for some man fodder. They party hard, booze it up and sniff those lines. They meet a young girl (another Aussie hottie) and her grandfather but secrets lay deep in this beach town. Soon locals are slaughtered and much blood is lost.
The CGI monster is slightly above your SyFy original movie but the buckets of blood and gore is unrelenting. Kudos to Simpson and his team for going all out. But hell the tentacles are pure laughable as are the death scenes. It's definitely intentionally "bad", with ridiculous carnage of serpent arms vs man.
But do I buy into the "it's so bad, it's good" formula? Well too a point I do. I'm all for seeing our 3 whores from hell Beretta, Blondie and the hottest of all Snowball go swimming and acting badass but without a real story or any interesting scenes of fun, it also becomes outright boring. It's fairly predictable and generic as they come.
If you want to see Aussie Suicide girls battle sea monsters, this will be your favorite movie. I liked the eye candy and the fairly cheesy monster mash gore. But clearly it's the same as watching a Skinemax action movie. Pick your poison.
Rating:1/2
Check out the trailer.
Mediatrix
Mediatrix (2011)
Directed by Cory Udler
I'm pretty positive Cory Udler is not a big fan of organized religion. Udler, the mastermind behind the infamous Incest Death Squad 1 and 2, seems to wage his war on it behind the camera by satirizing the sheep and the wolves who prey on said sheep. With Mediatrix, it's front and center and mocks the mockery of all that is Christianity and it's inherit beliefs.
Mediatrix is an exploitation jab at the right wing neo-conservative religious right by inserting boobs, sex and rape to get its point across. Focusing on the devious Mary Ann who is a master manipulator on all things spiritual, she seduces the minds of the ultra stupid while challenging the status quo of a priest hell bent on exposing her.
What you end up with in Mediatrix is an odd black humor exploitation comedy that has screwball characters and a pure relentless wicked streak, similar to seeing a car crash during a funeral procession. Clearly it's messed up but oddly funny in a fucked up sort of way.
But that's not to say my fun-o-meter didn't pop up. I had a few gripes on the story, characters and overall lack of cohesiveness. There seemed to be a bit of dead air scenes and a few jokes fell flat. I wanted to see a standoff between the supposed good vs the supposed evil but you got the feeling it was going to be a one sided affair.
But as atheists would say, you play with fire you're gonna get burned. (Hmmm I'm not sure atheists would actually say that)
Boring Plot-O-Matic
It is the story of Mary Ann Van Hook-false spiritualist who parlays her manipulation skills into wealth, power and even her own cult of followers.
Awesome Review-O-Matic
We meet Mary Ann (Paula Duerksen) who raised by a stereotypical spiritual mom rebels by being the town bicycle. Clearly mom and daughter are scam artists de jour but Mary Ann it seems to ACTUALLY have a phone connection to the Virgin Mary (Shannon Lark). When she meets Carrie (Kaylee Williams from 3 Slices of Life) and her husband Will Brackett, they become an easy mark for our spiritual medium. Soon she's using her "assets" to seduce up Mr. Brackett and his associates all while stealing the pastor's congregation. All this leads to a showdown with said pastor.
Mediatrix feels like an extension of IDS with some usual actors back and some new ones in the mix. It has a sense of wacky and can't really be called a horror movie but more of an exploitation attack on how the gullible become gulled. Udler has always hovered his movies in a weird in between place of realistic wickedness and black humor oddity. This has the same feel. It has an indie quirkiness but also falls victim to not knowing what it should be.
It has elements of a black comedy but also seems to be hell bent on being a mish mash of other genres as well. Mary Ann, a tatted up, foul moth, druggie seems to hard to believe. She's a wolf in wolf's clothing yet the sheep are all convinced her spirituality is from the divine. I really didn't buy it. So many religions, especially evangelical Christianity could have been easily mocked and satirized but somehow it doesn't come out very well in Mediatrix. I was hoping to see a punk rock/death metal version of Book of Mormon.
The actors all seem to play heightened crazies. Duerksen gives a glimpse of her goods as the head crazy and does a good job in the role. It'd be nice to see Lark in a lead role as she has a scream queen persona to carry a movie. Udler regulars Matt Ukena, Scott Rawson and Tom Lodewyck also make appearances. Having remembered Williams from Slices of Life, she plays a very convincing sheep.
Mediatrix has fire of wrath vibes to it and has a feel of raw energy that most movies would be afraid to cover. But it also isn't as polished and straightforwardly wicked as Udler's previous Incest Death Squad 2. It's however fueled with an indie DIY spirit that oozes of Americana fuckedupness. For that I'm giving it 2 Hallelujahs.
Gore-ipedia
Head butting
Nude-ipedia
Main character boobies
WTF moment
So the Virgin Mary is a hot coked up punk rock girl?
The Jaded Viewer's Final Prognosis
Mediatrix is now out on DVD. The DVD has a Behind the Scenes and a trailer on it as well. Head over to the official site, Facebook group and follow on Twitter.
Rating:
Check out the trailer!
Machete Maidens Unleashed!
Machete Maidens Unleashed (2010)
Directed by Mark Hartley
[part of the NYAFF 2011]
I've been looking forward to checking out Mark Hartley's latest documentary Machete Maidens Unleashed for a while now. After checking out the trailer, I was salivating to see the history of Filipino exploitation films as I was too young to know what these films were and how they were made. Thanks to the New York Asian Film Festival (NYAFF2011) my dream is now a reality. Hartley, who last made Ozploitation a household name (that's Australian exploitation flicks) with Not Quite Hollywood: The Wild, Untold Story of Ozploitation! takes on the world of exploitation films created in the jungle depths of the Philippines and interviews the bejesus out of everybody who ever made one.
Machete Maidens Unleashed is an awesome in depth look into a period of filmmaking history where anything went, labor was cheap, the blood poured and the boobs, well they were real and they were spectacular. Hartley takes the footage, the gimmicks, the taglines and interviews from the likes of Roger Corman, John Landis, legendary Filipino director Eddie Romero and others to tell the story of what it was like to film mutated creatures, hot women in prison, blaxsploitation and rebellious war flicks. It's a fast paced doc, getting a soundbyte here while simultaneously flashing boobs in your face and decapitating an arm.
What you gain is a clear understanding of filmmaking via New World Pictures (Corman's company) and the people under him. It's nostalgic, funny and mesmerizing to watch. And it's clearly one of the best movies of 2011 in my opinion.
Boring Plot-O-Matic
A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.
Awesome Review-O-Matic
The movie is broken apart via the different genres filmed in the Philippines. These include:
The film was originally suppose to be Hartley's attempt to profile Weng Weng, the midget who made James Bond spoofs. There is a section here in Machete Maidens Unleashed on Weng Weng and it's also a hoot. We even get an interview with Filipino film historians, critics and other film luminaries about this universe of crazy filmmaking.
Gore-ipedia
Director Drew Bolduc dropped me a line to let you all know that you can now watch his and Dan Nelson's flick The Taint for FREE....yes for freakin free...until the end of June.
I reviewed the film earlier this year and I gave it 3 out of 4 spinkicks. You can read my entire review here.
Here's a quote from my review.
"The Taint is the next evolution of the Troma movie. I think Troma has lost touch with it's extreeminess but directors Drew Bolduc and Dan Nelson have spawned a new genre of low budget horror comedy. The American WTF movie. That's what The Taint is. It's got a mild plot, some easily identifiable characters and lots of WTF. I've never seen so much WTF in my movie viewing history. That and a lot of penis. Yes folks, this movie has more penis shots than a Playgirl pictorial."
Watch the entire film below and head over to the official site, Like it on Facebook and follow them on Twitter for more icky goodness.
Now watch the entire film and be prepared for some extra saucy WTF!
The Taint from Dan Nelson on Vimeo.
I've been dying to see Machete Maidens Unleashed, the documentary by Mark Hartley (Not Quite Hollywood: The Wild, Untold Story of Ozploitation!) about Filipino exploitation flicks. Most of these flicks were filmed in the Philippines and ranged from blaxploitation to kung fu. I remember my dad having some of these flicks on VHS and they were horribly cheesy. But my dad let me watch these flicks and as an impressionable tween, I got to see some partial nudity and random acts of violence.
Now years later, looking back at these flicks I realize now my interest towards all that was weird and edgy is probably due to the 80s action flicks of Cannon and Filipino exploitation. My dad should be proud he let me watch. Now all I do on this site is reminisce about these films :-)
So here's a taste of my childhood, in all its bad kung fu, gratuitous nudity, horrible acting and incoherent plots.
the jaded viewer says: Raw Force. It's pretty much the pinnacle of Filipino exploitation.
If you have an indie short, our motto at the jaded viewer is we'll review it. So our latest edition of The Shortround is a grindhouse short via Ruckus Productions called The Deadneks - Trilogy of Blood. Featuring the psychobilly sickos The Deadneks, we get a full blown exploitation homage as 3 city girls wind up in Bumfuck Hillbilly USA.
Here be the plot:
When a trio of sexy city gals picks up a broken-down hillbilly in the backwoods of Virginia – the three kittens get A LOT more than they bargained for when they accept the drifter’s invitation to a down-home barbecue. What these lovely ladies don’t know just may hurt ‘em – when they find that the menu of this hayseed hoe-down isn’t the standard ‘burgers and dogs’…
the jaded viewer says: Shot on a claimed budget of $62, Trilogy of Blood is a 27 minute long Deadneks music video with a Herschel Gordon Lewis grindhouse homage blended in. Ruckus Productions spared no expense (well maybe expenses for beer, Spencer Gifts decaped arms and blood and more beer) to give us a look and feel of an exploitation film circa the 70s. The tagline says it all:
SEE the BLOOD! FEEL the TERROR! HEAR the PSYCHOBILLY SICKNESS!!!! Experience the sensory TRIPLE-SKULL-FUCK that is…TRILOGY OF BLOOD!!!!!!!!
Damn that's alot of exclamation points.
Add in the grainy staticky footage and some Gordon Lewis homages from 2000 Maniacs to Blood Feast and you got a nice decent short with 3 performances by The Deadneks whose punk rock style is a blend of The Misfits, The Cramps and Reverend Horton Heat. I haven't heard psychobilly punk in a while since my early punk rock days and it was nice to hear some good tunes while seeing ocular trauma, smashed heads and cannibal rednecks. We even get a horrific chubby fuck, incest makeout session and a boink-o-thon on a tractor trailer.
I've never seen that before.
Trilogy of Terror is grindhouse schlock with a killer soundtrack that horror and punk rock fans should check it out. I'm not saying it's the best the grindhouse has to offer but it's got all the basics and cliches and offers nothing more, nothing less.
Boobs, blood, beer and rock and roll. If that's your poison, check it out.
The Vitals
Hobo with a Shotgun
Hobo with a Shotgun (2011)
Directed by Jason Eisener
"Delivering justice, one shell at a time..."
Don't fuck with the homeless.
That's the lesson I learned after watching Hobo with a Shotgun, the infamous grindhouse trailer turned full frontal feature from director Jason Eisener. If this was the 3rd film in a triple feature with Planet Terror and Death Proof, I'd have to say it was the best of the three by far.
Hobo with a Shotgun punched me in the face with it's witty humor, clever cleverisms and pure blood drenched awesomeness. It's a time travel throwback to 80s Troma mixed in with Street Trash and would be a banned video nasty if this were 1985. Each scene is like a mini trailer in itself, which you could cut up and edit and make 10 more trailers out of the film.
But even though it's hilariously ridiculous and you start scratching your head with one WTF after the other, it still never loses it's power to make you laugh, make you scream and make you applaud like a pimp at a whore convention.
Hobo with a Shotgun hits harder than a cop during a riot. You're not going to get a better throwback grindhouse movie this year. And for the first time in a long time, I'm giving it the highest rating the jaded viewer can bestow.
Boring Plot-O-Matic
A train pulls into the station - it's the end of the line. A Hobo jumps from a freight car, hoping for a fresh start in a new city. Instead, he finds himself trapped in an urban hell. This is a world where criminals rule the streets and Drake, the city's crime boss, reigns supreme alongside his sadistic murderous sons, Slick & Ivan.
Amidst the chaos, the Hobo comes across a pawn shop window displaying a second hand lawn mower. He dreams of making the city a beautiful place and starting a new life for himself. But as the brutality continues to rage around him, he notices a shotgun hanging above the lawn mower... Quickly, he realizes the only way to make a difference in this town is with that gun in his hand and two shells in its chamber.
Awesome Review-O-Matic
There's not an overcomplicated story here. The movie is exactly what the title says. It's about a hobo with a shotgun. But our hobo (Rutger Hauer) arrives in Scum Town (renamed Fuck town by the locals) and immediately realizes this is one fucked up town. The town is run by Drake (Brian Downey), a clean cut evil crime boss who with his two sons Slick and Ivan (who are preppie douchebag killers) are willing to display their cruel and unusual punishment to keep the locals in line.
Did I mention the film takes place circa sometime in the 80s?
That's the first thing that makes you go WTF. Our hobo wanders the streets and we see what he sees. Boom boxes, video cassette video cameras, arcade machines and 80s jazzy clothing that makes you think we're in some Beastie Boys video. And it wouldn't be the 80s without some fuckin coke right? Cocaine is like Krispy Kreme donuts. Everybody is addicted! The town is full of low life pimps, bumfight entrepreneurs and Santa child predators. It's a fuckin shitty place.
Soon he meets a hot prostitute Abby and saves her from the clutches of our asshole preps. Abby and our hobo seemed to be both misfits in a town full of crazies but they start to form a bond. When you think HWAS would start to slow down during these non gore soaked moments, it doesn't. The conversation between our Hobo and our whore are hilarious. From talking about bears, an alternate job for Abby and to our Hobo's dream of buying a lawnmower!?!? so he can start his own business, the ridiculous and over the top conversation is as equally if not more awesome than the succeeding gore and splatter that embody a homeless man exacting vengeance with a shotgun.
Which brings us to the grindhouse and exploitation masterpiece that's been constructed by Eisener. It has a look and feel of a grindhouse films from the opening titles (Filmed in Technicolor!) to the shades of green and red tints that resemble your vintage graininess. But red is the color that dominates Hobo with a Shotgun and we get buckets of it. Your Gore-ipedia includes ripped off heads, shotgun trauma, blood splatter windows, hand splatter, neck gore and some sick slice and dice.
Once we get to the mid camp ending, all hell has broken loose. After some close calls in a battle between Slick and Ivan versus Hobo and Abby Drake brings in the big guns called "The Plague" to take down our Hobo who's been cleaning the gutter trash criminals off the street. These 2 heavily armored metal rejects slaughter a hospital staff before we get a Mad Max finale complete with a Mexican standoff.
Rutger Hauer is nearly flawless as our 100% hobo vigilante. It's like he copied the persona of one of the bumfight participants and as he yammers in his peculiar conversations you get 100% hooked. He's an old cranky man who knows shit and Hauer makes it believable. Downey as Drake plays it pretty over the top and our two preppie douchebags (Gregory Smith and Nick Bateman) give performances like they were mutated evil from a John Hughes film. Molly Dunsworth as Abby evolves from down and out hooker to an ever dedicated sidekick and does a great job looking hot and kicking ass.
Everything from Hobo with a Shotgun is viciously fucked up. It lives up to it's title because it's initial premise evolves into a full frontal assault of pure tastelessness. From vulgarities revolving orifices to maddening threats of torture, it's going to be obscene just to be obscene. Damn how I love that. I love the fact it never wavers, never says let's be a little PG-13 here or be a little tame in this scene. Nope. It goes all out to make you feel like you've been exploited for having seen this. Your going to laugh at seeing somebody get the shit beaten out of em and your not going to feel guilty at all.
Neo grindhouse has been on the up and up with remakes of 70s cult classics being assembly line made. It's refreshing to see a homegrown (in this case Canada) being made. Hobo with a Shotgun is old and new. If this was made in the 80s, it would SO be remade by now. It's because of all this that I proudly give Hobo with a Shotgun the rare 4 spinkicks.
Now give that homeless man on the street corner some spare change or you might get a hole in your chest.
Nude-ipedia
We get some titties
WTF moment
The Plague battle an octopus?!?
The Jaded Viewer's Final Prognosis
I was able to see this gem during a screening courtesy of Magnet Releasing. Hobo with a Shotgun comes out on April 1st on Demand and May 6th in theaters. Here are some interesting fun facts:
Bleading Lady aka Star Vehicle
Bleading Lady aka Star Vehicle (2011)
Directed by Ryan Nicholson
Let's just be real.
If you know of Ryan Nicholson's previous Plotdigger films, the last 2 being Gutterballs and Hanger, you've come to either be on the side of "his films are fuckin awesome" or "what a piece of shit these films are".
Ironically I'm still on the fence. I praised Gutterballs for being a brilliant exploitation masterpiece while destroying Hanger for being to gross and boring. I figure Star Vehicle (renamed Bleading Lady) would be my tiebreaker in the Nicholson filmography.
Well it turned out it didn't break the tie.
Bleading Lady has elements of the good shit I expected. Over the top gore, gratuitous nudity and self aware cleverisms. It also has the elements of what I hated. It's got serious pacing issues, horrible dialogue and minutes of nothingness.
Bleading Lady ends up being a the equievelant of seeing an ugly naked girl getting her armed disemembered. Your like "ewwwwwwwwww" and then "fuckin A!!! That was awesome!". So how did we all end up here?
Boring Plot-O-Matic
"Star Vehicle" follows the downward spiral of movie driver Donald Cardini, a self-professed movie buff with a penchant for explosive violence when provoked. Driving the stars of low-budget movies, along with their fragile egos, to and from locations in the middle of nowhere, pushes Don's buttons in all of the wrong directions.
When Luke, the young and self-absorbed writer/director challenges Don's authority, murder and mayhem ensues. The movie's Scream Queen' starlet, Riversa Red, to her dismay finds herself the target of Don's obsession. With his encyclopedic knowledge of her "body" and body of work, Don worms his way onto Riversa's good side, no easy task. Not knowing whether to fear or friend Don, Riversa finds herself at the center of a cyclone with Luke and Don both vying for her attention. A mysterious Hotel Bellboy and an unknown "watcher in the woods" lend themselves to the growing suspense as the cast and crew hold-up at Forest Grove Lodge...
Awesome Review-O-Matic
It's clear that from the outset we're getting a full on horror film from Ryan Nicholson. It's clear we're getting a little horror movie within a horror movie ala Scream to get our share of boobs, gore and in jokes. Our main dude Don (Dan Ellis) is the driver of the "star vehicle" and his passenger the lovely Reversa Red (Sidney Faraguna). We meet a few others along the way from the scumbag director, the Nicholson easter egg from the makeup artist, some scream queen noobs, another fellow driver and a lodge bellboy.
Don is a horror buff with knowledge of who's who. He adores Ms. Red and is her biggest fan. From bashing a friend's head he is an overprotective father to the scream queen. The movie intersplices scenes from the movie they are making and it at times I was a little more interested in that movie than the movie that was unfolding.
As we trudge along we get the inside of life within an indie horror movie. Making fun of an indie horror movie in an indie horror movie is surreal. Reversa converses with Don on her exploits and having done a "full frontal" nudity scene. He goes all "your talented then these whores" route while Reversa defends how these actresses get into the business. Some of this is interesting take on the inner workings of indie horror.
We even get to see Don break the 4th wall half an hour in as aside from an intro of kills, we see shit. He narrates "I know you are saying to yourself: 'let us get on with the blood!'" and so the movie does. Nicholson knows what we want and I LOL-ed from that bit of 'logue.
With every Nicholon film we do get full on boobs and buckets of blood. The boobs are solid Grade A boobage and the splatter is top notch. Sliced throats, crowbar trauma, severe OJ-ish stabbing will make every gorehound a happy happy boy. It's over the top and it's hilarious in that happy sickening sorta way.
But with all this horror happiness, we get the ugly girl portions of the film. At 70 or so minutes, there is so much emptiness in a lot of scenes that I rang up a decent score on Angry Birds waiting for something to happen. It just felt like 60% of the movie was filler with double talk conversations and our director being a douchebag. Reversa Red is our final girl but does nothing to make us care about her either.
Which leads to the dialogue of the whole film. Some of it was completely incomprehensuble. You know they are over acting and hamming it up in the movie within the movie but when we see the behind the scenes, it's still as bad. What the fuck? And that damn 80s cheesy soundtrack started to get on my nerves as well.
As we go along it seems Reversa's got a stalker and Don's gonna have to be the knight in shining armour. This leads to some slaughter and some tension between him and the director. The body count piles up and as we get to the end Don's making his own horror movie.
The ending is completely out of leftfield. Hell I think it's out of the 20 yard line. Come to think of it, I had no idea what sport I was watching. The movie spun out of control and ended up being one long scene of boring.
Bleading Lady pushes a standard horror film into overdrive with it's mish mash of horror caricatures and inside jokes. The gratuitous is solid in nudity and gore. But as it's racing towards the finish, it crashes into a tree and like an over cliched action movie, the gas tank ignites and blows up the entire car.
It has the smashing homage awesomeness of Gutterballs but the stupidness of Hanger and ends up with the standard 2 spinkicks from the jaded viewer. Like I said before, it's an ugly girl getting her arm chopped off. Somehow its ugly and cool at the same time. But I expected more. I expected a hot naked girl getting beheaded in full slo mo glory.
Weren't we all?
Gore-ipedia
Throat slashing
Slice and dice
Crowbar trauma
Stab and jab
Nude-ipedia
Full frontal boobs
Top and bottom full frontal nudity
WTF moment
I predicted the twist 10 minutes in. I was like WTF! It can't be that obvious can it?
The Jaded Viewer's Final Prognosis
Bleading Lady comes out on DVD March 29th from Breaking Glass pictures via their Vicious Circle Films label. If you have to watch every Plotdigger and Ryan Nicholson film, than you'll need to watch this flick. If your a noob to RN, start off with Gutterballs because it has all the stuff your looking for and more.
The movie was filmed in Maple Ridge and Vancouver Canada.
The Vitals
For me, Ryan Nicholson has been hit or miss. I thought Gutterballs was viciously wicked while Hanger was too nasty in my opinion. But the one thing you can count on is his films will leave a lasting impact.
So via Vicious Circle Films (via Breaking Glass) comes Nicholson's newest film Bleading Lady. Here be the plot:
Don is a chauffeur and a movie buff who takes his job seriously — very seriously. When his latest assignment takes him to the set of a low-budget horror film, he’s overjoyed to learn he’ll be driving Riversa Red – his favorite B-movie “Scream Queen.” While escorting his beloved idol, Don assumes the role of bodyguard and turns fiercely protective, especially after learning that Riversa has a stalker. Hell-bent on protecting his queen and fueled by paranoid fantasies, Don’s usual temper tantrums go to fatal extremes. Soon he proves to be not only Riversa’s biggest fan, but her worst nightmare as well.
So with one hit and one miss, Bleading Lady is going to be a tiebreaker. From the trailer, it looks appetizing yummy with gore and nudity. But those elements can't save a movie if you don't have a solid hook. We'll see what this one brings.
Check out the trailer below.
Everybody has been posting their Top 10 Horror Movies of 2010! Sorry for taking so long to get this live but I had to catch up on some of the movies I missed this year. I usually look at other people's lists and watch the movies that others claimed were the best. If I didn't, I would have missed out on a few sleepers this year.
Like last year, I've extended this to 20 films. In this list of #11-20, you'll be surprised to find has many of the movies that can be found on the horrorsphere's Top 10 lists. I had a different take on what was considered "the best" this year and my picks are totally abnormal from everybody else. I'm just quirky that way.
First some fun facts and sidenotes!
20.) Kill Theory
19.) Daybreakers
18.) Death of the Dead
17.) Rare Exports
15.) Sella Turcica
14.) Burning Bright
13.) Splice
12.) The Taint