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Tampilkan postingan dengan label exploitation. Tampilkan semua postingan
Tampilkan postingan dengan label exploitation. Tampilkan semua postingan

20120510

0

Watch The Taint Right Now Online!

Director Drew Bolduc has informed me his awesome flick The Taint (see full review here) is now available for FREE this week. It really is one fucked up crazy flick. As I wrote in my review....


If you're inner gorehound needs to be fed and if you're inner misogynist needs to be jerked off I highly recommend The Taint. You won't be disappointed by this throwback 80s splatterfest.

 Watch the film below and be mesmerized by exploding dicks!





 
The Taint (Full Movie) from Dan Nelson on Vimeo.

20120508

0

10 Things from 70s Times Square that exploitation movies need to bring back


Exploitation and grindhouse movies these days are no longer that exploitative. Sure Tarantino and Rodriguez can call their movie Grindhouse, but somehow if I'm not offended by it, it's not really exploitation. Planet Terror, Death Proof, Machete and Hobo with a Shotgun are all solid flicks but these as you would expect are sanitized Hollywood flicks for the masses.

70s Times Square could care less about the masses. They catered to the guy with the fedora, large sunglasses and trench coat. The true grindhouse films wanted to shock the shit out of you for 70 or so minutes. Bad dubbing, recut and edited foriegn flicks, and retitled films were the standard. But you'd have a wide selection of the WTF and outrageous. Movies that would offend you, test your limits and obliterate your tolerance for the absurd.

Clearly we've all grown up from our 70s scumminess and we'd hope to be a more tolerant and equal society. But a tiny part of me wants to see some exploitative absurdity, something that goes waaaay extreme that you can't believe what you just saw. A millennial Pink Flamingos if you will. 

Will we ever see any of these things/subjects ever made into a feature to call themselves real exploitation?

1.) Super duper racist films

Fight for your Life was completely nuts. Thing about this plot. 3 escaped inmates, a white trash redneck, a Mexican and an Asian violently assault a black minister. You've offended every race in America in one movie. Movies like Goodbye Uncle Tom supposedly cashed in on the blaxploitation craze but 70s grindhouse cashed in by being so offensive, you'd think a race riot would happen in the theater.


2.) Sexually violent deviousness


Ahhh clearly the 70s grindhouse could care less for women. Boobs, butts and skin all to be killed off in horrific fashion. I think of the ridiculousness of Patrick, a movie about a comatose man with psychic powers uses them to manipulate a hot nurse. The kills were wickedly hypnotizing and spawned an even more sexually violent sequel from Italy!

3.) Midgets and Freaks

Have you seen the movie Freaks? It was made in 1932 and starred actual midgets and freaks. Clearly we have to be PC about our little people and visually challenged these days. But the ironic part is this film is actually pretty good, shows them as normal people and featured a part of our society that would have been ignored.

4.) Pimps and Hookers (in Atlantic City)

The only time you see pimps and hookers is on HBO's AC Hookers. Oh what fascinating lives these two groups lead and somehow, yes somehow this could be exploited into some awesome movies if you think of it.

5.) Cannibals a Go Go

It's not like there are anymore cannibal tribes in the world anymore right? Right? I mean even if you stereotyped some tribe to be killer cannibals, it's not like they'd actually see the flick. It's the genre I miss the most. Devil white man gets comeuppance for trying to civilize the savages. It's the formula with a message and the gore.

6.) Mondo Schmondo

 Have you seen the footage of Filipinos crucifying themselves on Easter Sunday? No? Then YouTube it. This shit still happens. All countries still have some crazy, wacky rituals and I don't think we've seen them all.

7.) Experimental Surrealistic Nonsense

We all need a little Alejandro Jodorowsky in our lives.

8.) Something Japanese

Rule 34. If you've thought of something so fucked up, so nasty and so disgusting, chances are the Japanese have made a movie about it.

9.) Slashers who are plain old crazy

Luther the Geek was a movie about a carnival freak who bit the heads off chickens and drinks their blood. He then proceeds to kill random people while clucking. We need more films like this.

10.) The New Christina Lindberg

We need a movie where a girl next door vixen gets violated and then goes all revenge served cold. This is an untapped genre begging and pleading to resurface.

What 70s/80s subgenres from the olden days do you miss? Will we ever see any of these highly offensive subgenres/topics/things ever made in the Hollywood machine or the indie underground?

Chime in!

20120309

0

El monstro del mar! (Review)

El monstro del mar!

El monstro del mar! (2012)

Directed by Stuart Simpson

Did you ever want to see the Suicide Girls take on a sea monster?

Well Australia has got you covered. Because in Stuart Simpson's El monstro del mar (translated to Monster of the Sea) you'll just see that. And that's pretty much it.

Monstro goes into the way back time machine to give us a throwback to B-movie monsterpalooza where a quiet seaside town goes under attack by 3 hot Aussie vixen pussycat kill kill killers as they battle a tentacle rape octupi.

The movie starts off as From Dusk til Dawn style as our 3 tatted up, goth femme fatales lay a Venus fly trap for some man fodder. They party hard, booze it up and sniff those lines. They meet a young girl (another Aussie hottie) and her grandfather but secrets lay deep in this beach town. Soon locals are slaughtered and much blood is lost.

The CGI monster is slightly above your SyFy original movie but the buckets of blood and gore is unrelenting. Kudos to Simpson and his team for going all out. But hell the tentacles are pure laughable as are the death scenes. It's definitely intentionally "bad", with ridiculous carnage of serpent arms vs man.

But do I buy into the "it's so bad, it's good" formula? Well too a point I do. I'm all for seeing our 3 whores from hell Beretta, Blondie and the hottest of all Snowball go swimming and acting badass but without a real story or any interesting scenes of fun, it also becomes outright boring. It's fairly predictable and generic as they come.

If you want to see Aussie Suicide girls battle sea monsters, this will be your favorite movie. I liked the eye candy and the fairly cheesy monster mash gore. But clearly it's the same as watching a Skinemax action movie. Pick your poison.

Rating:
1/2

Check out the trailer.



20111107

0

Mediatrix (Review)

Mediatrix

Mediatrix (2011)

Directed by Cory Udler

I'm pretty positive Cory Udler is not a big fan of organized religion. Udler, the mastermind behind the infamous Incest Death Squad 1 and 2, seems to wage his war on it behind the camera by satirizing the sheep and the wolves who prey on said sheep. With Mediatrix, it's front and center and mocks the mockery of all that is Christianity and it's inherit beliefs.

Mediatrix is an exploitation jab at the right wing neo-conservative religious right by inserting boobs, sex and rape to get its point across. Focusing on the devious Mary Ann who is a master manipulator on all things spiritual, she seduces the minds of the ultra stupid while challenging the status quo of a priest hell bent on exposing her.

What you end up with in Mediatrix is an odd black humor exploitation comedy that has screwball characters and a pure relentless wicked streak, similar to seeing a car crash during a funeral procession. Clearly it's messed up but oddly funny in a fucked up sort of way.

But that's not to say my fun-o-meter didn't pop up. I had a few gripes on the story, characters and overall lack of cohesiveness. There seemed to be a bit of dead air scenes and a few jokes fell flat. I wanted to see a standoff between the supposed good vs the supposed evil but you got the feeling it was going to be a one sided affair.

But as atheists would say, you play with fire you're gonna get burned. (Hmmm I'm not sure atheists would actually say that)


Boring Plot-O-Matic

It is the story of Mary Ann Van Hook-false spiritualist who parlays her manipulation skills into wealth, power and even her own cult of followers.

Awesome Review-O-Matic

We meet Mary Ann (Paula Duerksen) who raised by a stereotypical spiritual mom rebels by being the town bicycle. Clearly mom and daughter are scam artists de jour but Mary Ann it seems to ACTUALLY have a phone connection to the Virgin Mary (Shannon Lark). When she meets Carrie (Kaylee Williams from 3 Slices of Life) and her husband Will Brackett, they become an easy mark for our spiritual medium. Soon she's using her "assets" to seduce up Mr. Brackett and his associates all while stealing the pastor's congregation. All this leads to a showdown with said pastor.

Mediatrix feels like an extension of IDS with some usual actors back and some new ones in the mix. It has a sense of wacky and can't really be called a horror movie but more of an exploitation attack on how the gullible become gulled. Udler has always hovered his movies in a weird in between place of realistic wickedness and black humor oddity. This has the same feel. It has an indie quirkiness but also falls victim to not knowing what it should be.

It has elements of a black comedy but also seems to be hell bent on being a mish mash of other genres as well. Mary Ann, a tatted up, foul moth, druggie seems to hard to believe. She's a wolf in wolf's clothing yet the sheep are all convinced her spirituality is from the divine. I really didn't buy it. So many religions, especially evangelical Christianity could have been easily mocked and satirized but somehow it doesn't come out very well in Mediatrix. I was hoping to see a punk rock/death metal version of Book of Mormon.

The actors all seem to play heightened crazies. Duerksen gives a glimpse of her goods as the head crazy and does a good job in the role. It'd be nice to see Lark in a lead role as she has a scream queen persona to carry a movie. Udler regulars Matt Ukena, Scott Rawson and Tom Lodewyck also make appearances. Having remembered Williams from Slices of Life, she plays a very convincing sheep.

Mediatrix has fire of wrath vibes to it and has a feel of raw energy that most movies would be afraid to cover. But it also isn't as polished and straightforwardly wicked as Udler's previous Incest Death Squad 2. It's however fueled with an indie DIY spirit that oozes of Americana fuckedupness. For that I'm giving it 2 Hallelujahs.

Gore-ipedia

Head butting

Nude-ipedia

Main character boobies

WTF moment

So the Virgin Mary is a hot coked up punk rock girl?

The Jaded Viewer's Final Prognosis

Mediatrix is now out on DVD. The DVD has a Behind the Scenes and a trailer on it as well. Head over to the official site, Facebook group and follow on Twitter.

Rating:


Check out the trailer!



20110629

0

Machete Maidens Unleashed! (Review)

Machete Maidens Unleashed!

Machete Maidens Unleashed (2010)

Directed by Mark Hartley

[part of the NYAFF 2011]

I've been looking forward to checking out Mark Hartley's latest documentary Machete Maidens Unleashed for a while now. After checking out the trailer, I was salivating to see the history of Filipino exploitation films as I was too young to know what these films were and how they were made. Thanks to the New York Asian Film Festival (NYAFF2011) my dream is now a reality. Hartley, who last made Ozploitation a household name (that's Australian exploitation flicks) with Not Quite Hollywood: The Wild, Untold Story of Ozploitation! takes on the world of exploitation films created in the jungle depths of the Philippines and interviews the bejesus out of everybody who ever made one.

Machete Maidens Unleashed is an awesome in depth look into a period of filmmaking history where anything went, labor was cheap, the blood poured and the boobs, well they were real and they were spectacular. Hartley takes the footage, the gimmicks, the taglines and interviews from the likes of Roger Corman, John Landis, legendary Filipino director Eddie Romero and others to tell the story of what it was like to film mutated creatures, hot women in prison, blaxsploitation and rebellious war flicks. It's a fast paced doc, getting a soundbyte here while simultaneously flashing boobs in your face and decapitating an arm.

What you gain is a clear understanding of filmmaking via New World Pictures (Corman's company) and the people under him. It's nostalgic, funny and mesmerizing to watch. And it's clearly one of the best movies of 2011 in my opinion.

Boring Plot-O-Matic

A fast moving odyssey into the subterranean world of the rarely explored province of Filipino genre filmmaking.


Awesome Review-O-Matic

The movie is broken apart via the different genres filmed in the Philippines. These include:

  • Blood Island series of films
  • Women in prison films (eg. The Big Dollhouse, Black Mama, White Mama)
  • War/Revolution films
  • Blaxsploitation films (eg. Savage, TNT Jackson)
  • Hollywood parodies (eg. Weng Weng)
  • Apocalypse Now history
All the sections are really interesting in their own right. The Philippines was a haven for Corman and his directors to shoot low budget films that look like big giant blockbusters. They flew in beautiful actresses including breakout star Pam Grier and just had them kick ass and get naked. With the blessing of dictator Ferdinand Marcos and the Filipino army and stuntmen at their disposal, New World Pictures was able to make popular genre films for what seems like less than a buck and make millions.

It's just crazy interesting to look back at real exploitation films and see how they were made. These days, "exploitation films" via the Robert Rodriguez and Quentin Tarantino are big budget spectaculars. But seeing the original bizarre plots, bad acting, gratuitous nudity and unreal stunts and how it all came to be is something Generation X,Y and Z never really had a chance to experience.

The interviews, though rapidly short are full of one line soundbytes and moments of WTF. Roger Corman gives you accounts of his library of films filmed in these islands. Joe Dante and Allan Arkush give you an insight look into how they cut trailers where the trailers were made to sell the film with gimmicks and non existent plot lines. I loved the interviews with the Filipino directors which included Eddie Romero and Cirio Santiago. They were Filipinos who made American movies. Romero's take on his experience with Corman is one of genuine admiration. He strived to make Grade A movies and never thought he was making B movies. Santiago directed so many classics such as Savage and TNT Jackson. To think a Filipino director made blaxsploitation blows my fuckin mind. Just freakin fascinating.

The film was originally suppose to be Hartley's attempt to profile Weng Weng, the midget who made James Bond spoofs. There is a section here in Machete Maidens Unleashed on Weng Weng and it's also a hoot. We even get an interview with Filipino film historians, critics and other film luminaries about this universe of crazy filmmaking.

But the documentary's proudest moment has gotta be the endless boob shots. The women in prison movies then women in chains turned revenge flicks is the money shot of the documentary. Beautiful women and their breasts are endlessly looped to show you that these may have been the first films where women were leads and played action heroes. Is it total exploitation or a glimpse into 70s feminism? Thinking about it hurts my head. We get interviews with the actresses and it's just absolutely wild to see what they look like now compared to their hotness decades ago. Pam Grier is still freakin hot.

Machete Maidens Unleashed! is a manic albeit short look into the world of guerrilla filmmaking. There have been other docs profiling Corman and his flicks but none gets you sweaty, bloody and stiff like this one does. It's got me checking Netflix to see if I can watch some of these films in their entirety.

We use the term exploitation film so loosely these days. Anything that resembles something that might be a reboot of a genre from the 60s, 70s or 80s is given that label. But true exploitation films are exactly that. They exploited the audience's perceptions and desires. If the audience dug gratuitous nudity, you made a film that had tons of it. If the viewers wanted blood and guts, you cut off an arm. If you wanted to see a naked black woman kick ass with her boobs all bouncy, you made that happen. Those films were true exploitation and we'll never have a "golden" age like that again. Machete Maidens Unleashed! is your chance to see a history of filmmaking that is the epitome of WTF movies.

And also who doesn't like seeing a hot topless girl fire machine guns.

Gore-ipedia

Tons!

Nude-ipedia

Tons and tons and tons!

WTF moment

I question why I haven't seen more women in prison films

The Jaded Viewer's Final Prognosis

NYAFF 2011 film festival opens on 7/1. I've created a list of films to check out at this year's festival. Machete Maidens Unleashed screens on July 2nd at 7pm and is followed by a showing of Raw Force.

Head over to the official site for more info.

The Vitals
Rating:


Check out the trailer!



20110624

0

Watch the awesome movie The Taint for FREE!!!

Director Drew Bolduc dropped me a line to let you all know that you can now watch his and Dan Nelson's flick The Taint for FREE....yes for freakin free...until the end of June.

I reviewed the film earlier this year and I gave it 3 out of 4 spinkicks. You can read my entire review here.

Here's a quote from my review.

"The Taint is the next evolution of the Troma movie. I think Troma has lost touch with it's extreeminess but directors Drew Bolduc and Dan Nelson have spawned a new genre of low budget horror comedy. The American WTF movie. That's what The Taint is. It's got a mild plot, some easily identifiable characters and lots of WTF. I've never seen so much WTF in my movie viewing history. That and a lot of penis. Yes folks, this movie has more penis shots than a Playgirl pictorial."

Watch the entire film below and head over to the official site, Like it on Facebook and follow them on Twitter for more icky goodness.

Now watch the entire film and be prepared for some extra saucy WTF!


The Taint from Dan Nelson on Vimeo.


20110510

0

The WTF Films of Filipino Exploitation

I've been dying to see Machete Maidens Unleashed, the documentary by Mark Hartley (Not Quite Hollywood: The Wild, Untold Story of Ozploitation!) about Filipino exploitation flicks. Most of these flicks were filmed in the Philippines and ranged from blaxploitation to kung fu. I remember my dad having some of these flicks on VHS and they were horribly cheesy. But my dad let me watch these flicks and as an impressionable tween, I got to see some partial nudity and random acts of violence.

Now years later, looking back at these flicks I realize now my interest towards all that was weird and edgy is probably due to the 80s action flicks of Cannon and Filipino exploitation. My dad should be proud he let me watch. Now all I do on this site is reminisce about these films :-)

So here's a taste of my childhood, in all its bad kung fu, gratuitous nudity, horrible acting and incoherent plots.

the jaded viewer says: Raw Force. It's pretty much the pinnacle of Filipino exploitation.




the jaded viewer says: One Armed Executioner: He scores the white chick and kicks ass with one arm. He's Handi-armed and dangerous!





the jaded viewer says: For Your Height only. Weng Weng is legen...wait for it....dary!




the jaded viewer says: TNT Jackson. She'll kung fu your ass while her titties be bouncing sucka!



the jaded viewer says: Black Mama, White Mama. Women in Prison 'sploitation! Stars Pam Grier and Sid Haig and directed by Filipino vet Eddie Romero. Probably the awesomest premise ever.




Makes you wanna see some of these right? What exploitation flick is MUST SEE for anybody who wants to catch up on this type of stuff?

20110308

0

The Shortround: The Deadneks Trilogy of Blood (Review)

If you have an indie short, our motto at the jaded viewer is we'll review it. So our latest edition of The Shortround is a grindhouse short via Ruckus Productions called The Deadneks - Trilogy of Blood. Featuring the psychobilly sickos The Deadneks, we get a full blown exploitation homage as 3 city girls wind up in Bumfuck Hillbilly USA.

Here be the plot:

When a trio of sexy city gals picks up a broken-down hillbilly in the backwoods of Virginia – the three kittens get A LOT more than they bargained for when they accept the drifter’s invitation to a down-home barbecue. What these lovely ladies don’t know just may hurt ‘em – when they find that the menu of this hayseed hoe-down isn’t the standard ‘burgers and dogs’…

the jaded viewer says: Shot on a claimed budget of $62, Trilogy of Blood is a 27 minute long Deadneks music video with a Herschel Gordon Lewis grindhouse homage blended in. Ruckus Productions spared no expense (well maybe expenses for beer, Spencer Gifts decaped arms and blood and more beer) to give us a look and feel of an exploitation film circa the 70s. The tagline says it all:

SEE the BLOOD! FEEL the TERROR! HEAR the PSYCHOBILLY SICKNESS!!!! Experience the sensory TRIPLE-SKULL-FUCK that is…TRILOGY OF BLOOD!!!!!!!!

Damn that's alot of exclamation points.

Add in the grainy staticky footage and some Gordon Lewis homages from 2000 Maniacs to Blood Feast and you got a nice decent short with 3 performances by The Deadneks whose punk rock style is a blend of The Misfits, The Cramps and Reverend Horton Heat. I haven't heard psychobilly punk in a while since my early punk rock days and it was nice to hear some good tunes while seeing ocular trauma, smashed heads and cannibal rednecks. We even get a horrific chubby fuck, incest makeout session and a boink-o-thon on a tractor trailer.

I've never seen that before.

Trilogy of Terror is grindhouse schlock with a killer soundtrack that horror and punk rock fans should check it out. I'm not saying it's the best the grindhouse has to offer but it's got all the basics and cliches and offers nothing more, nothing less.

Boobs, blood, beer and rock and roll. If that's your poison, check it out.

The Vitals

  • Fun Fact: Brenna Roth (daughter of David Lee Roth) stars as one of the girls
  • Picked to be part of the Underground Horror Fest II taking place in March of 2011
  • 2010 Horrorfind Weekend and Fright Night Filmfest selection
  • Official Site
  • Facebook Page
Check out the trailer!





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20110228

0

Hobo with a Shotgun (Review)

Hobo with a Shotgun

Hobo with a Shotgun (2011)

Directed by Jason Eisener

"Delivering justice, one shell at a time..."

Don't fuck with the homeless.

That's the lesson I learned after watching Hobo with a Shotgun, the infamous grindhouse trailer turned full frontal feature from director Jason Eisener. If this was the 3rd film in a triple feature with Planet Terror and Death Proof, I'd have to say it was the best of the three by far.

Hobo with a Shotgun punched me in the face with it's witty humor, clever cleverisms and pure blood drenched awesomeness. It's a time travel throwback to 80s Troma mixed in with Street Trash and would be a banned video nasty if this were 1985. Each scene is like a mini trailer in itself, which you could cut up and edit and make 10 more trailers out of the film.

But even though it's hilariously ridiculous and you start scratching your head with one WTF after the other, it still never loses it's power to make you laugh, make you scream and make you applaud like a pimp at a whore convention.

Hobo with a Shotgun hits harder than a cop during a riot. You're not going to get a better throwback grindhouse movie this year. And for the first time in a long time, I'm giving it the highest rating the jaded viewer can bestow.

Boring Plot-O-Matic

A train pulls into the station - it's the end of the line. A Hobo jumps from a freight car, hoping for a fresh start in a new city. Instead, he finds himself trapped in an urban hell. This is a world where criminals rule the streets and Drake, the city's crime boss, reigns supreme alongside his sadistic murderous sons, Slick & Ivan.

Amidst the chaos, the Hobo comes across a pawn shop window displaying a second hand lawn mower. He dreams of making the city a beautiful place and starting a new life for himself. But as the brutality continues to rage around him, he notices a shotgun hanging above the lawn mower... Quickly, he realizes the only way to make a difference in this town is with that gun in his hand and two shells in its chamber.

Awesome Review-O-Matic

There's not an overcomplicated story here. The movie is exactly what the title says. It's about a hobo with a shotgun. But our hobo (Rutger Hauer) arrives in Scum Town (renamed Fuck town by the locals) and immediately realizes this is one fucked up town. The town is run by Drake (Brian Downey), a clean cut evil crime boss who with his two sons Slick and Ivan (who are preppie douchebag killers) are willing to display their cruel and unusual punishment to keep the locals in line.

Did I mention the film takes place circa sometime in the 80s?

That's the first thing that makes you go WTF. Our hobo wanders the streets and we see what he sees. Boom boxes, video cassette video cameras, arcade machines and 80s jazzy clothing that makes you think we're in some Beastie Boys video. And it wouldn't be the 80s without some fuckin coke right? Cocaine is like Krispy Kreme donuts. Everybody is addicted! The town is full of low life pimps, bumfight entrepreneurs and Santa child predators. It's a fuckin shitty place.

Soon he meets a hot prostitute Abby and saves her from the clutches of our asshole preps. Abby and our hobo seemed to be both misfits in a town full of crazies but they start to form a bond. When you think HWAS would start to slow down during these non gore soaked moments, it doesn't. The conversation between our Hobo and our whore are hilarious. From talking about bears, an alternate job for Abby and to our Hobo's dream of buying a lawnmower!?!? so he can start his own business, the ridiculous and over the top conversation is as equally if not more awesome than the succeeding gore and splatter that embody a homeless man exacting vengeance with a shotgun.

Which brings us to the grindhouse and exploitation masterpiece that's been constructed by Eisener. It has a look and feel of a grindhouse films from the opening titles (Filmed in Technicolor!) to the shades of green and red tints that resemble your vintage graininess. But red is the color that dominates Hobo with a Shotgun and we get buckets of it. Your Gore-ipedia includes ripped off heads, shotgun trauma, blood splatter windows, hand splatter, neck gore and some sick slice and dice.

Once we get to the mid camp ending, all hell has broken loose. After some close calls in a battle between Slick and Ivan versus Hobo and Abby Drake brings in the big guns called "The Plague" to take down our Hobo who's been cleaning the gutter trash criminals off the street. These 2 heavily armored metal rejects slaughter a hospital staff before we get a Mad Max finale complete with a Mexican standoff.

Rutger Hauer is nearly flawless as our 100% hobo vigilante. It's like he copied the persona of one of the bumfight participants and as he yammers in his peculiar conversations you get 100% hooked. He's an old cranky man who knows shit and Hauer makes it believable. Downey as Drake plays it pretty over the top and our two preppie douchebags (Gregory Smith and Nick Bateman) give performances like they were mutated evil from a John Hughes film. Molly Dunsworth as Abby evolves from down and out hooker to an ever dedicated sidekick and does a great job looking hot and kicking ass.

Everything from Hobo with a Shotgun is viciously fucked up. It lives up to it's title because it's initial premise evolves into a full frontal assault of pure tastelessness. From vulgarities revolving orifices to maddening threats of torture, it's going to be obscene just to be obscene. Damn how I love that. I love the fact it never wavers, never says let's be a little PG-13 here or be a little tame in this scene. Nope. It goes all out to make you feel like you've been exploited for having seen this. Your going to laugh at seeing somebody get the shit beaten out of em and your not going to feel guilty at all.

Neo grindhouse has been on the up and up with remakes of 70s cult classics being assembly line made. It's refreshing to see a homegrown (in this case Canada) being made. Hobo with a Shotgun is old and new. If this was made in the 80s, it would SO be remade by now. It's because of all this that I proudly give Hobo with a Shotgun the rare 4 spinkicks.

Now give that homeless man on the street corner some spare change or you might get a hole in your chest.

Nude-ipedia

We get some titties

WTF moment

The Plague battle an octopus?!?

The Jaded Viewer's Final Prognosis

I was able to see this gem during a screening courtesy of Magnet Releasing. Hobo with a Shotgun comes out on April 1st on Demand and May 6th in theaters. Here are some interesting fun facts:

  • Original grindhouse trailer was made for $150 and won the SXSW Tarantino/Rodriguez Grindhouse trailer competition
  • The Director of Photagraphy is Karim Hussain who made the cult classic Subconscious Cruelty
  • Producer Rob Cotterhill (with Eisener) made the short Treevenge
  • Only a few scenes from the original fake trailer made it to the feature
The Vitals

Rating:


Check out the trailer.



Here's the original fake trailer






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20110218

0

Bleading Lady (Review)

Bleading Lady aka Star Vehicle

Bleading Lady aka Star Vehicle (2011)

Directed by Ryan Nicholson

Let's just be real.

If you know of Ryan Nicholson's previous Plotdigger films, the last 2 being Gutterballs and Hanger, you've come to either be on the side of "his films are fuckin awesome" or "what a piece of shit these films are".

Ironically I'm still on the fence. I praised Gutterballs for being a brilliant exploitation masterpiece while destroying Hanger for being to gross and boring. I figure Star Vehicle (renamed Bleading Lady) would be my tiebreaker in the Nicholson filmography.

Well it turned out it didn't break the tie.

Bleading Lady has elements of the good shit I expected. Over the top gore, gratuitous nudity and self aware cleverisms. It also has the elements of what I hated. It's got serious pacing issues, horrible dialogue and minutes of nothingness.

Bleading Lady ends up being a the equievelant of seeing an ugly naked girl getting her armed disemembered. Your like "ewwwwwwwwww" and then "fuckin A!!! That was awesome!". So how did we all end up here?

Boring Plot-O-Matic

"Star Vehicle" follows the downward spiral of movie driver Donald Cardini, a self-professed movie buff with a penchant for explosive violence when provoked. Driving the stars of low-budget movies, along with their fragile egos, to and from locations in the middle of nowhere, pushes Don's buttons in all of the wrong directions.

When Luke, the young and self-absorbed writer/director challenges Don's authority, murder and mayhem ensues. The movie's Scream Queen' starlet, Riversa Red, to her dismay finds herself the target of Don's obsession. With his encyclopedic knowledge of her "body" and body of work, Don worms his way onto Riversa's good side, no easy task. Not knowing whether to fear or friend Don, Riversa finds herself at the center of a cyclone with Luke and Don both vying for her attention. A mysterious Hotel Bellboy and an unknown "watcher in the woods" lend themselves to the growing suspense as the cast and crew hold-up at Forest Grove Lodge...

Awesome Review-O-Matic

It's clear that from the outset we're getting a full on horror film from Ryan Nicholson. It's clear we're getting a little horror movie within a horror movie ala Scream to get our share of boobs, gore and in jokes. Our main dude Don (Dan Ellis) is the driver of the "star vehicle" and his passenger the lovely Reversa Red (Sidney Faraguna). We meet a few others along the way from the scumbag director, the Nicholson easter egg from the makeup artist, some scream queen noobs, another fellow driver and a lodge bellboy.

Don is a horror buff with knowledge of who's who. He adores Ms. Red and is her biggest fan. From bashing a friend's head he is an overprotective father to the scream queen. The movie intersplices scenes from the movie they are making and it at times I was a little more interested in that movie than the movie that was unfolding.

As we trudge along we get the inside of life within an indie horror movie. Making fun of an indie horror movie in an indie horror movie is surreal. Reversa converses with Don on her exploits and having done a "full frontal" nudity scene. He goes all "your talented then these whores" route while Reversa defends how these actresses get into the business. Some of this is interesting take on the inner workings of indie horror.

We even get to see Don break the 4th wall half an hour in as aside from an intro of kills, we see shit. He narrates "I know you are saying to yourself: 'let us get on with the blood!'" and so the movie does. Nicholson knows what we want and I LOL-ed from that bit of 'logue.

With every Nicholon film we do get full on boobs and buckets of blood. The boobs are solid Grade A boobage and the splatter is top notch. Sliced throats, crowbar trauma, severe OJ-ish stabbing will make every gorehound a happy happy boy. It's over the top and it's hilarious in that happy sickening sorta way.

But with all this horror happiness, we get the ugly girl portions of the film. At 70 or so minutes, there is so much emptiness in a lot of scenes that I rang up a decent score on Angry Birds waiting for something to happen. It just felt like 60% of the movie was filler with double talk conversations and our director being a douchebag. Reversa Red is our final girl but does nothing to make us care about her either.

Which leads to the dialogue of the whole film. Some of it was completely incomprehensuble. You know they are over acting and hamming it up in the movie within the movie but when we see the behind the scenes, it's still as bad. What the fuck? And that damn 80s cheesy soundtrack started to get on my nerves as well.

As we go along it seems Reversa's got a stalker and Don's gonna have to be the knight in shining armour. This leads to some slaughter and some tension between him and the director. The body count piles up and as we get to the end Don's making his own horror movie.

The ending is completely out of leftfield. Hell I think it's out of the 20 yard line. Come to think of it, I had no idea what sport I was watching. The movie spun out of control and ended up being one long scene of boring.

Bleading Lady pushes a standard horror film into overdrive with it's mish mash of horror caricatures and inside jokes. The gratuitous is solid in nudity and gore. But as it's racing towards the finish, it crashes into a tree and like an over cliched action movie, the gas tank ignites and blows up the entire car.

It has the smashing homage awesomeness of Gutterballs but the stupidness of Hanger and ends up with the standard 2 spinkicks from the jaded viewer. Like I said before, it's an ugly girl getting her arm chopped off. Somehow its ugly and cool at the same time. But I expected more. I expected a hot naked girl getting beheaded in full slo mo glory.

Weren't we all?

Gore-ipedia

Throat slashing
Slice and dice
Crowbar trauma
Stab and jab

Nude-ipedia

Full frontal boobs
Top and bottom full frontal nudity

WTF moment


I predicted the twist 10 minutes in. I was like WTF! It can't be that obvious can it?

The Jaded Viewer's Final Prognosis

Bleading Lady comes out on DVD March 29th from Breaking Glass pictures via their Vicious Circle Films label. If you have to watch every Plotdigger and Ryan Nicholson film, than you'll need to watch this flick. If your a noob to RN, start off with Gutterballs because it has all the stuff your looking for and more.

The movie was filmed in Maple Ridge and Vancouver Canada.

The Vitals

Rating:

Check out the trailer.






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20110124

0

Bleading Lady (Trailer)

For me, Ryan Nicholson has been hit or miss. I thought Gutterballs was viciously wicked while Hanger was too nasty in my opinion. But the one thing you can count on is his films will leave a lasting impact.

So via Vicious Circle Films (via Breaking Glass) comes Nicholson's newest film Bleading Lady. Here be the plot:

Don is a chauffeur and a movie buff who takes his job seriously — very seriously. When his latest assignment takes him to the set of a low-budget horror film, he’s overjoyed to learn he’ll be driving Riversa Red – his favorite B-movie “Scream Queen.” While escorting his beloved idol, Don assumes the role of bodyguard and turns fiercely protective, especially after learning that Riversa has a stalker. Hell-bent on protecting his queen and fueled by paranoid fantasies, Don’s usual temper tantrums go to fatal extremes. Soon he proves to be not only Riversa’s biggest fan, but her worst nightmare as well.

So with one hit and one miss, Bleading Lady is going to be a tiebreaker. From the trailer, it looks appetizing yummy with gore and nudity. But those elements can't save a movie if you don't have a solid hook. We'll see what this one brings.

Check out the trailer below.



20110106

0

Top 10 Horror Movies of 2010 (#20-11)

Everybody has been posting their Top 10 Horror Movies of 2010! Sorry for taking so long to get this live but I had to catch up on some of the movies I missed this year. I usually look at other people's lists and watch the movies that others claimed were the best. If I didn't, I would have missed out on a few sleepers this year.

Like last year, I've extended this to 20 films. In this list of #11-20, you'll be surprised to find has many of the movies that can be found on the horrorsphere's Top 10 lists. I had a different take on what was considered "the best" this year and my picks are totally abnormal from everybody else. I'm just quirky that way.

First some fun facts and sidenotes!

  • Though some of these movies came out in 2009, I label any movie that got wide releases or DVD releases in 2010 as coming out in 2010
  • It's a mix of indie horror and theatrical releases
  • Here are the movies I didn't see yet: Black Swan, Let Me In, Shutter Island, Paranormal Activity 2, After.Life and a few other indie horror films that ended up on some Top 10s
  • The 20 films broken down by country: USA = 12, Canada=2, UK=1, Finland =1, Australia=1, Serbia=1, Netherlands=1, Spain=1
  • The 20 films broken down by spinkick rating: 4 spinkicks=1, 3 spinkicks= 16, 2 1/2 spinkicks=3 (I did not give any horror movie 4 spinkicks this year)
  • Honorable Mentions: The Crazies, Daybreakers, Berdella, Dawning
  • To read the entire review of the film click on the title.
So what did 2010 offer us in the world of horror?
  • The horror mockumentary makes an appearance numerous times
  • Shaky cam/Shot on video flicks haven't jumped the shark yet
  • 3D Horror was everywhere and sucked in most cases
  • The Human Centipede was the most talked about hype movie that bordered on mainstreeminess
  • An unrated horror movie is too much for Hollywood theaters to handle
  • The number one movie on my list is again not from the USA
Let's get to the list! Here is #20 to #11.

20.) Kill Theory
(2 and 1/2 spinkicks)


Kill Theory is not great but compared to the others, it's pretty solid. The premise is an intriguing one. The movie poses the question: What would you do to survive if given the choice to either kill your friends in order to live.

The answer plays out as slightly cliched and is executed in the most extreme way possible. And somehow it came out five by five.

Kill Theory is not a perfect movie, but director Chris Moore takes the Saw 101 approach and spins in some Battle Royale intrigue and a few goretastic moments. The premise is sound and execution is slightly above average.

When you're flipping through your Netflix or your local DVD store, this is the After Dark Horrorfest movie you want to be on the lookout for.

19.) Daybreakers
(2 and 1/2 spinkicks)


I didn't really review this movie but I'll admit, I liked the concept. It's not a perfect movie by any means but the setup was so intriguing I clearly got caught up by a world dominated by vampires.

Seeing this new world where everybody is a vampire has gotta be the best dystopia I've seen in recent years. You would think the vampires would have thought ahead of what would happen.

The movie forgettably succumbs to a long drawn out battle but seeing the technology for a post vampiric world was why it ends up on this list.

There was so much they could have done and they only did the most adequate amount. But it's definitely a sight to behold.


18.) Death of the Dead
(3 spinkicks)


Death of the Dead is a campy horror kung fu comedy, comparable to seeing a YouTube video of a dude getting kicked in the groin. Think Karate Kid meets Troma and throw in a little bit of Scary Movie and some Zucker Brothers. Mix in a blender and you got Death of the Dead.

Death of the Dead is chock full of sight gags, toilet humor and self aware jokes that it had me laughing at all this kung fu foolery. It's also smart enough to not be those movies where you parody the latest popular movie (sorry Twilight fans). What it does is take 2 genres, the karate action movie and the zombie movie and mixes in the cliches from both to make a comedy that cleverly mocks the mockery.

This is the only horror comedy I have on my list. And it should be proud to be here.


17.) Rare Exports
(3 spinkicks)


Rare Exports is that rare holiday gem that makes you feel the holiday spirit. I mentioned Rare Exports and the viral shorts that gave birth to this feature a while ago. Having seen the shorts, I'll admit it took away from the film a bit for me.

Not since Gremlins has a Christmas themed mild horror film put a smile on my face. Rare Exports takes the traditional little boy staple, dashes in a far away land and throws in a few naked but angry Santas to turn in one of the most entertaining holiday movies this year.

Rare Exports gladly twists your red cheeked, white beard, jolly fat man into the most menacing threat on the other side of the Atlantic. Blending fairy tale into a bizarro Christmas tale, Rare Exports gives you that feeling of being a kid on Christmas morning. What more would you want?


16.) Frozen
(2 and 1/2 spinkicks)


What the hell right? Why is Frozen all the way down on a Top 20 list? I know what you're thinking. It should be waaaay higher. But here's the deal for me regarding Frozen.

I absolutely loved the premise of what would you do if you were trapped on a ski lift and there was no hope of rescue. The movie shows some of these theories play out and a few others that seem quite preposterous. Like the movie its ultimately compared to, Open Water (a movie I also thought was average at best) the best part of the movie is not seeing the suffering or the panic on the faces of our would be survivors, it's coming up with ways we think we could survive the same ordeal.

It's a mixed bag of nuts for me. I liked the premise, the escape attempts and *gasp* even the characters. What I didn't like were the other obstacles that nature threw their way that seemed outright ridiculous.
Which is why it ends up as #16.


15.) Sella Turcica
(3 spinkicks)


August Underground this is not. Sella Turcica is the latest film from Toe Tag Pictures.

Sella Turcica takes the cliched overused soldier's homecoming story and adds a horror element that redefines trauma in a whole new way. This is the evolution of Toe Tag we are seeing and I like where they are going. It may take a while to get going but somehow I have to admit I was liking each of the characters. They reminded me of a friend's hometown, each of the people resembling real people, not the cardboard MTV cutouts we always see in horror movies.

It's an uneasy feeling to go from Lifetime movie of the week to gorehound delight in a span of 100 or so minutes. But that's what happens in Sella Turcica and while we all know it won't end well, you know your going to be shell shocked instead of post traumatized.


14.) Burning Bright
(3 spinkicks)


Burning Bright has been on a lot of Top 10s and after seeing this flick I know why. Such a simple premise but it works on all cylinders. A teenage girl and her autistic brother are trapped in a house with A TIGER!!!!!!!!!!! during a hurricane. It's preposterous but its awesome at the same time.

It turns into a cat and mouse affair and we get some scenes of heightened suspense and tension. The house is traveled well and our final girl does all she can to outsmart the tiger.

But the tiger goes all tiger and is damn smart himself.

Who knew a movie about a killer tiger could give me a horror happy?



13.) Splice
(4 spinkicks)


Insano Steve gave this 4 spinkicks and I would give it high marks as well.

I've missed DNA resequencing films and Splice shows why they are so much fun to watch.

Via Insano Steve.

See Splice. Seriously, see Splice! This was a super fun movie to watch. At first, I had hoped this would be a semi-realistic look at the dangers of gene manipulation.

As it turns out, it was just a B-movie, but a thoroughly enjoyable one. Seriously, if you haven’t seen it yet, go see Splice!


12.) The Taint
(3 spinkicks)


The Taint is the next evolution of the Troma movie. I think Troma has lost touch with it's extreeminess but directors Drew Bolduc and Dan Nelson have spawned a new genre of low budget horror comedy. The American WTF movie. That's what The Taint is. It's got a mild plot, some easily identifiable characters and lots of WTF. I've never seen so much WTF in my movie viewing history. That and a lot of penis. Yes folks, this movie has more penis shots than a Playgirl pictorial.

I've seen some indie budget horror coms that fall in line with The Taint. But the others never had the amount of gore and splatter this flick has. In the same vain as Black Devil Doll, Isle of the Damned, Hanger, Gutterballs and John Waters flicks it's 110% offensive and 200% fucked up fun.

Running at an unbelievable 70 minutes, you'll need to take a long cold shower after seeing this filthy filth. If you have a wife or GF, send them to movies to see a rom com because they may "Bobbit" you if they catch you watching The Taint.


11.) The Horseman
(3 spinkicks)


It's been a while since I've seen a straight balls hurtin revenge movie. I still believe Chan-wook Park's Oldboy is the standard though Kill Bill puts out the ultraviolence pretty solidly as well. But that's the past.

Welcome to Australia's version of revenge.

And as the old adage goes, if you see one uber violent revenge movie this year....well let it be The Horseman.

Steven Kastrissio's The Horseman is a climax of alpha male Fight Club fists of fury meets a dish best served cold. The journey we take with Christian, our grief stricken father whose daughter was snuffed by a porn/snuff ring is suspenseful and filled with clashing of pure poetic violence.

Check your guns and katanas at the door. No need for that wimpy shit here. Christian uses a variety of elaborate torture weapons from knives, hammers and pliers to exact his blood fury. So what do we end up with?

A soon to be classic revenge movie that is no holds barred one of the best the genre has to offer.

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