Watch The Taint Right Now Online!

Director Drew Bolduc has informed me his awesome flick The Taint (see full review here) is now available for FREE this week. It really is one fucked up crazy flick. As I wrote in my review....


If you're inner gorehound needs to be fed and if you're inner misogynist needs to be jerked off I highly recommend The Taint. You won't be disappointed by this throwback 80s splatterfest.

 Watch the film below and be mesmerized by exploding dicks!





 The Taint (Full Movie) from Dan Nelson on Vimeo.

The Summer of Massacre (Review)

The Summer of Massacre

The Summer of Massacre (2011)

Directed by Joe Castro

Well that sucked.

Back in the day, I would search out for the most fucked up, goriest, splattered fill horror movies out in the underground. I soon stumbled upon German splatter like Ittenbach's Burning Moon or Schnaas Violent Shit trilogy. I would get excited when I'd get my hands on this type of movie because I'd see unrated gore and splatter in all it's 8th generation dubbed glory.

Those movies did it old school. Old school tubes, animal intestines and red faux blood to create those effects. Sure they were balloons filled with red dye and such but it looked awesome. Well those days are long gone unfortunately.

Today we get shit like The Summer of Massacre. A movie whose sole premise is that it holds the Guinness Book of World Records for the Highest Body Count in a slasher film at 155. To get this record it fills 1 hour and 37 minutes with HORRIBLY BAD CGI KILLS. And I don't mean these were Romero like CGI, I mean this is MS Paint bad CGI. It's the equivalent of super transposed 16 bit Genesis graphics on top of the movie. Atari had better graphics than this film.

It's technically an anthology with self contained stories about a mad killer on the loose, some grotesque handicapped kid, killer father back from the dead to torment his son, camp kids killed by mutant firemen and serial killers with a nuke. It's not as cool as it sounds. Bad acting, bad makeup effects, bad stories and utterly fuckin shitty CGI kills. Sliced necks, ankles, necks, etc. Bullet would deaths. A whole level of stupid gross shit. I could list shit but honestly I don't even remember. This is pretty much the worst horror movie I've seen in the last 10 years. And trust me, I've seen a lot of bad ones.

I just can't stand movies who use CGI in their horror these days. I'm an old school guy with a throwback to the grind mentality. I'm pretty sure it's necessary at times but I like seeing the vicious realism of trauma. It's what I grew up watching and I appreciate the effort by the filmmakers when they go this route.

The Summer of Massacre is a crappy induced diarrhea mess of a film. I'd rather have my eyes gouged by hot pokers than see this film again. I'd rather be eaten alive by cannibals and shown by beating heart than see this film again. I'd rather have all my arms and legs chopped off and placed in a wooden box buried alive than see this film again.

The scary part is all those scenes are going to probably be in the sequel in really fuckin bad CGI.

Sonnuva-fuck.

Rating:
0 spinkicks

Check out the trailer below.

El monstro del mar! (Review)

El monstro del mar!

El monstro del mar! (2012)

Directed by Stuart Simpson

Did you ever want to see the Suicide Girls take on a sea monster?

Well Australia has got you covered. Because in Stuart Simpson's El monstro del mar (translated to Monster of the Sea) you'll just see that. And that's pretty much it.

Monstro goes into the way back time machine to give us a throwback to B-movie monsterpalooza where a quiet seaside town goes under attack by 3 hot Aussie vixen pussycat kill kill killers as they battle a tentacle rape octupi.

The movie starts off as From Dusk til Dawn style as our 3 tatted up, goth femme fatales lay a Venus fly trap for some man fodder. They party hard, booze it up and sniff those lines. They meet a young girl (another Aussie hottie) and her grandfather but secrets lay deep in this beach town. Soon locals are slaughtered and much blood is lost.

The CGI monster is slightly above your SyFy original movie but the buckets of blood and gore is unrelenting. Kudos to Simpson and his team for going all out. But hell the tentacles are pure laughable as are the death scenes. It's definitely intentionally "bad", with ridiculous carnage of serpent arms vs man.

But do I buy into the "it's so bad, it's good" formula? Well too a point I do. I'm all for seeing our 3 whores from hell Beretta, Blondie and the hottest of all Snowball go swimming and acting badass but without a real story or any interesting scenes of fun, it also becomes outright boring. It's fairly predictable and generic as they come.

If you want to see Aussie Suicide girls battle sea monsters, this will be your favorite movie. I liked the eye candy and the fairly cheesy monster mash gore. But clearly it's the same as watching a Skinemax action movie. Pick your poison.

Rating:
1/2

Check out the trailer.

The Jaded Viewer would like a cameo.....please?

I'll admit it. I've reviewed a ton of indie horror movies and sometimes its truly gratifying to have a filmmaker, writer or director thank you for giving such a good review or promoting a film. Though I love writing this blog and supporting indie horror I also do love getting free shit. I don't get paid for the site (I run no ads). But a part of me longs to get an e-mail that says:

"Hey Jaded Viewer, do you wanna have a cameo in our film?"

Fuck yeah I do. Every horror blogger would love to be asked that. Hell, I don't want even speaking lines. I'd like to just be in the background pretending to hold a conversation with a hot girl speaking gibberish. Of course, it would be kinda cool to "die" in a horror movie. I mean that would be the awesomest cameo wouldn't it?

All horror bloggers blog for the love of horror but the perks are pretty fun to. We've all probably met our fair share of celebs, filmmakers and stars. Hell when Eli Roth tweeted back to me one time, I was thrilled! But I wouldn't mind being slaughtered by a rich psychotic douchebag either.

Clearly, I have no acting experience whatsover. I 'm not part of any guild or organization for acting but I'm sure not all indie actors might be either. I can say I was once a zombie in a college short film but I've never actually seen the short and I only did it to hang out with a cute girl. The funny thing is I entered that Walking Dead sweeps where you could have been flown to Atlanta to have a zombie cameo. I entered that contest like a zillion times. That would have been the dream cameo.

So I'm putting this out there. If you're filming an indie film or indie horror, I'd love to make a cameo in your film playing any part. You need me to be a cadaver? I'm there. You need a homeless looking guy? I'm your man. You need a delivery guy? I'm always on time.

Horror bloggers and fans, if you could have a cameo in a horror film, which filmmaker or director would you want to be in?

And seriously...I'm an awesome zombie. I've got my staggered walk and echo moans down pat. We all need the jaded viewer zombie.

Make it happen.

Kill List (Review)

Kill List

Kill List (2012)

Directed by Ben Wheatley

On the surface, Kill List looks to be your standard five and dime crime thriller. Underworld goons doing their trade eliminating threats for $$. But as I thought about the film after watching it, you start seeing the layers underneath Kill List that enable you to see a movie that has more than meets the eye.

Kill List is a film that slowly burns you into a look into the life of a retired hit man and scopes out a world where his past, his present and his future all collide into an orgy of madness. It's an interesting journey seeing a drama, gore soaked slaughter and a Wicker Man-ish horror flick all blended into one. Sure there is a twist at the end and numerous unanswered questions which make you go WTF but it stills hit you harder than a hail of bullets.

What you'll get from Kill List is a character study of a soldier turned assassin who elects to try to live as a normal but it seems PTSD and pure conditioning to kill are not as easy to shut down when you get home. There is pure hell to pay for the sins of your past and it seems mysterious forces want have molded our hit man's world into their own.

Kill List is a solid flick that may seem like Pulp Fiction without the glitz and glamour. And for that it gets high marks for showing me a touch of all the genres I love from the UK.

Boring Plot-O-Matic

Eight months after a disastrous job in Kiev left him physically and mentally scarred, ex-soldier turned contract killer, Jay, is pressured by his partner, Gal, into taking a new assignment. As they descend into the dark and disturbing world of the contract, Jay begins to unravel once again - his fear and paranoia sending him deep into the heart of darkness.

Awesome Review-O-Matic

I'm going to break this down via Earth layers. Seems easier that way as far as I'm concerned.

The Crust

Kill List starts off as we see Jay and his Swedish wife Shel arguing about money. It seems Jay is a retired ex soldier with tours of Iraq who came back and went all crime underworld . We meet his friend and partner Gal and during a dinner party they talk about their lives, a past botched job and the life they now lead.

Clearly Wheatley uses this first Act to make us care for Jay and Gal and their alpha male shenanigans. Jay and Shel have a son and we see his fatherly side as well as Mr. Husband. Both Jay (Neil Maskell) and Shel (MyAnna Buring) have an uneasy relationship and you can see the scars Jay has been dealing with bubbling up. He's angry and all his instincts have have been dulled by being in this normal life.

Both Maskell and Buring give off good chemistry as a husband and wife who know they have had issues as they both transition to normals (Shel knows Jay is a hit man which is unique). Michael Smiley as Gal is still struggling to go normal but it seems as we move on the the list, we'll see who still has the instincts to do the job.

The Mantle

As both Jay and Gal fulfill their assignments, Jay slowly descents into what he was in the past. Before they embark on the kill, they stake out their victims finding in their now grey moral world reasons to take them out. The kills involving a Priest (highlighted in big white text), a Librarian are dastardly brutal. They slowly start out as professionals but it seems as Jay's scars get reopened (allegor-ized by a inflicted slice on his hand) he's going towards the deep end.

It begs the question can a soldier or even a hit man just turn off "their switch" when they retire? Is it just that easy to do? Kill List says no and I agree. Jay who seemed to be a brutal killer back in the day is as vicious when he gets a taste for it again. Each of the victims on "the list" are moral embodiments to stop him from going back to his killing ways. A priest representing morality, a librarian representing logic and a government official representing the law. Jay ignores all of this and slaughters them all.

The Core

The final scenes with the final kill go into weird Wicker Man territory. Everybody seems to have been played and characters who looked idle appear to be more sinister. A action sequence through a tunnel is mesmerzingly claustrophobic and vicious. These last scenes are very peculiar whipping in survival horror with bizarre rituals. It' s possibly fitting Jay confronts organized chaos as his final test. Having been now conditioned into a cold blooded killer/soldier, his instincts kick in and he becomes the embodiment of a savage.

Could we have gotten a better explanation of the "game" being played? Final answers on why characters actions became oddly weird? Sure but Whealtey seems to want us to fill in the holes which is fine with me.

Kill List gets a barely 3 spinkicks from me for taking me on a long journey of how easily a man can be stripped of his normal suit and launched into a naked and vicious savage. That's what you should take away from Kill List.

Nude-ipedia

Nada

Gore-ipedia

Hammer to the head trauma
Gunshots to the head
Torture trauma
Sliced bowel trauma

WTF moment

The twist ending

The Jaded Viewer's Final Prognosis

Kill List is available on VOD and on Amazon Instant Video. It comes out in theaters on February 3rd.

Rating:


Check out the trailer.

The Best Elephants, DIY Indies and OMG! Movies of 2011

Before I post my top 10 horror movies (yes it's coming soon), I wanted to go over the other movies (yes I saw other non horror flicks) that I thought were super duper awesome this year. From the box office Hollywood juggernauts to the indie spectaculars, these stood out like no other (plus there the only ones I saw). There are also a few films you may have missed that will completely blow you away.

"Box Office Elephants"

1.) Rise of the Planet of the Apes: Best sci-fi/action flick of the year. Serkin made me care about ape-kind.

2.) Harry Potter and the Deathly Hallows Part 2: I'm a big Potter fan (shhhh) so I liked how it all ended.

3.) The Girl with the Dragon Tattoo: Rooney Mara gets all naked/grunty/scary in this remake of the Swedish bestseller. She drives a typical crime mystery into awesomeness.

"DIY Indie Spectaculars"

1.) Super: Not as good as Kick-Ass but fun nevertheless. Wilson and Page made an awesome crazy dynamic duo as normals become superheroes.

2.) Kaboom: Gregg Araki makes a comeback with a WTF film that will make you sexual uncomfortable as it will make you scratch your head...and your balls.

3.) Waldo the Dog: Best indie screener I received this year. Waldo the Dog will be unlike any other film you have ever seen. It's the equivalent of seeing a fancy car get wrecked, miraculously repaired and then totally wrecked again. As much as you'd like to look away you can't. It's just so mesmerizing to watch.

4.) A Foundling: A Foundling breaks the handcuffs of the conventional indie film. It's a serial Western with a twist and though follows such a simple story of 2 sisters reunited, it's even smart enough to comment on the world around them.

"The OMGs"

1.) Ninja Kids!!!: One of the best films of 2011 from Takashi Miike. Ninja Kids is like Spy Kids on acid. Think Harry Potter but with over the top ninjas and slapstick comedy. It's a cute Japanese family film with a Miike insanity mixed in. And it works from start to finish. It's super duper funny, has some dog poop humor and a ton of CGI madness that only Miike could think up. Based on a long running Japanese TV show called Rantaro the Ninja Boy, it's filled with humor that's international in the LOLs. It's got visual wackiness, self aware parodies and villains that are basically clowns with swords and ninja stars.

What you get is a family comedy that leaves you feeling freakin awesome after you leave the theater. Ninja Kids is heartwarming Japanese wackiness, the Miike way.

2.) BKO: Bangkok Knockout: BKO: Bangkok Knockout which is without a doubt, the best action movie of 2011. BKO is an orgy and ballet of violence set to a soundtrack. You won't know the names of the characters or care if the bad guys get their comeuppance. Seriously, it's not important.

As long as you were mesmerized by the punches, kicks, double kicks, double punches and the synchronized attacks, BKO has done it's job.

******************************************************

What non horror movies did you think were the best of 2011? Let me know!

Kidnapped (Review)

Kidnapped

Kidnapped aka Secuestrados (2011)

Directed by Miguel Ángel Vivas

I've always thought the home invasion film is one of the most terrifying genres in all of horror. I mean the reason why is pretty obvious. It realistically could happen. That's terrifying as shit right?

Lots of movies have been made about this and I've seen a lot of them. Them (aka Ils), The Strangers, Inside and Funny Games are all the notables. When I first saw Michael Haneke's Funny Games, I'll admit I was blown away. Vicious violence and Haneke's attempt to chide us and ask if we were desensitized to it all was revolutionary. Now we're given yet another home invasion film that's just as nihilistic and unrelenting as Funny Games and one has to ask why?

Vivas's Kidnapped is a Spanish import that puts the audience uncomfortably close to a home invasion playing in real time and let's us squirm as a family is robbed, tortured and terrorized. It's pure cinematic wickedness as Vivas employs only a few cuts/edits and instead hovers the camera around the action as it plays. It's a damn eerie and effective technique, one where audience has nowhere to escape but feel as terrorized as this family.

But the problem with Kidnapped lies not in it's dread or viciousness but in it's characters. Our family are ridiculously badly drawn: Dad is inept, Mom is too houswifey and daughter seems like a spoiled brat. The bad guy's don't fair either. I'm going to use a Miami Heat analogy that may or may not work to explain their dumb-ititude.

In the end Kidnapped will shock the shit out of you (that ending will stick in your mind like a splinter) but says nothing of why violence fascinates us. Kidnapped is awesome style, but little substance and stands on the lower ladder of the home invasion genre. It's also why I disliked The Strangers so much. I need more than "Because you were home".

Boring Plot-O-Matic

Three hooded Eastern-European criminals burst into a home in a Madrid gated community, holding the family hostage in its own home, and forcing the father to empty his credit cards.

Awesome Review-O-Matic

Let's get that pesky plot out of the way. Innocent Spanish family has just moved into an awesome new home and they display all those qualities of rich families I despise. Dad is mega rich, Mom is all into house wife duties and the daughter wants to party. When 3 ski masked criminals invade their home, they are abused and fucked up. Dad is forced to get PINs for all his credit cards and driven out into the city and take out the max from ATMs. Meanwhile, mom and daughter are guarded into a sense of home invasion normalcy.

Later, unexpected visitors ring that damn doorbell and get caught in the mix. It's up to our fearless duo to make sure their master heist goes according to plan. The camera work here is utterly flawless. The shots hover like a guardian angel, we peek in from scene to scene with no cutting whatsoever. Violence becomes almost dreamlike. In one scene where our girls try to escape, the terror is amplified by a Vivas technique where he goes split screen and we see the action take place simultaneously. It's damn effective revealing the horror of both scenes. My eye wandered to the criminals as I knew I'd see mega fuckedupness on their end.

It's this style that is suspenseful and draws an eager viewer into this hellish world that's taking place. Kidnapped is paced so well that it's a testament to the actors and actresses to get all their dialogue, motions, etc all accomplished without any cuts. You really do admire this type of cinema as its exhilarating to watch.

Let me go into that Miami Heat analogy. When one goes into home invasion as a criminal activity you'd think the 3 of them would be on the same page. Let's break them down with their Heat counterparts.

Master Chief Criminal: Wade

We have a leader who is the one takes the dad around town maxing out his cards. You'd think this guy could be able to handle his crew but you'd be wrong. He's doesn't have the pulse of his team and seems to be a useless kind of leader. But you get the feeling he's gonna put a dagger through your heart and come up with a Wade like game winning bucket.

Petty Criminal Crazy Guy: LeBron

OK this guy is kinda nuts. He goes all crazy and almost goes all Lebron in the 4th quarter. The entire heist was in jeopardy because of his actions. He goes all murdery on a inspector and decides to "SVU" the daughter. He's totally the muscle of the crew but definitely a total choker...you know like Lebron.

Petty Criminal Morality Guy: Bosh

This guy has a total change of heart and feels bad that Lebron guy is totally fucking up everybody and is out of control. Like Bosh, he's the 3rd fiddle and he brings absolutely nothing to the game. If you're recruiting for a home invasion, you need soldiers willing to do anything to get the job done. They brought Morality Bosh Guy. And he's a fuckin pussy.

So there you have it. Your Big Three master criminals. The master plan is completely flawed. How much can one really max out from an ATM machine to get a big score? Not a helluva alot I would imagine. Home invasions are bash and dash. You get in, you loot and you get out. But these guys are having a fuckin sleepover. Plus their team isn't as solid as one might think with a bad captain, a crazy guy and a wuss.

If it wasn't for Wade guy saving the day, they'd have lost to the damn Cleveland Cavaliers family. In every home invasion movie, the family always tries to fight back or escape. And sure our family does here. I'd take the argument that summoning up courage is hard to do when you fear for your life. But one has to make sure when they are fighting back, you actually defeat your enemy. I like to think in a way that the family was only up by 2 pts and thought they had won the game. That's when Amazing happens.

Kidnapped's characters are just not at all interesting and the logic is a little off. The style as I said was spectacular but the substance of what this nihilistic journey was for is lacking. In Funny Games, Haneke broke the 4th wall and talked to the audience and asked us what WE WOULD DO. It seemed that Haneke wanted to provoke the audience and ask why we want to see the violence and when he REWINDS the action, we're even more thrilled. There is a message within Funny Games with its clean cut villains and the quagmire they give the family.

In Kidnapped, it's all glitz and glamour. Oh we see our big 3 wreak havoc, we see the dazzling dunks of gore and splatter and a game winning shot and I enjoyed seeing this mayhem. But it didn't really give me anything to talk about after seeing it. I didn't come away with something that might be thought provoking or worthwhile.

Kidnapped gives you a taste of home invasion genre, the life and death struggle but doesn't have a conceptual theme of what we just saw. It's nihilism for nihilism's sake and sometimes that's all you get.

Nude-ipedia

Daughter has serious cleavage issues

Gore-ipedia

Sliced throats
Gunplay
SVU action
If I told you more, the movie might be spoiled

WTF moment

The ending

The Jaded Viewer's Final Prognosis

I know Kidnapped is high on many Top 10 lists and it will get an honorable mention from me in mine. I expect more from my home invasion and I got what I expected. European imports usually have both style and substance. I'm kinda shocked Kidnapped didn't have the latter.

Rating:


Check out the trailer.

Rage (Review)

Rage

Rage (2011)

Directed by Christopher Witherspoon

Who knew 40 years ago, a TV movie by an unknown director named Steven Spielberg would still be influencing filmmakers today? With Duel, Spielberg made a statement about man's isolation against a force of nature or something like that.

That's where Rage draws it's inspiration from and because of this influence, director/producer/editor Chris Witherspoon even drew up a scene commenting on what the metaphor might be. One can make up comparisons but I'm pretty sure Generation Y and Z have never seen Duel. So Rage becomes it's own malevolent little indie that takes cat vs mouse to a whole new level. What Witherspoon has created is a tense, suspenseful and amped movie about a ordinary Oregonian with his share of secrets and thrown him into a deadly game vs a masked villain whose motivations are also hidden in secrecy.

Rage plays with it's audience so well, I even got duped by its overall simplicity (I'll explain in a bit). It's a mix of Hitchcockian slickness, Twilight Zone twistiness and Spielberg terror magic. Sure it's hindered by its low budget and some odd flashback placement but overall it's an entertaining movie that plays out like a long riddle of emotion.

Rage tricked me big time and it's why it was so much fun.


Boring Plot-O-Matic

A thirty something man who lives in a suburb just outside of Portland says goodbye to his beautiful and loving wife and heads into town. There he unintentionally provokes the wrath of a mysterious motorcyclist. The confrontation between the two, sets in motion a day long battle. Beginning in the form of harmless taunts then quickly escalating into something more serious and then into something unimaginable.

Awesome Review-O-Matic

So we get to hang out with Dennis Twist (Rick Crawford), a 30 something writer from Portland, OR who with his wife Crystal (Audrey Walker) live the American suburban life. But all is not well with the Dennis. He has a few secrets and on his day off, we're going to see all of them. As he drives off in his SUV we see him get into a scuffle with a black helmeted motorcyclist over a parking spot. Dismissed, he meets with his mistress who he breaks off an affair and also meets with a friend where they discuss his failed writing career.

Soon the stalking of Dennis begins and the motorcyclist is appearing at every angle. He is taunted at a red light, then his car gets keyed is only the beginning. Later his breaks are cut and a random beatdown at a bathroom get it all into the bit of ultra violence. Dennis plays mouse and our Darth Vader mute (he doesn't speak throughout the film) are gaming it up for all of us to see. It's not until Dennis gets home does all shit hit the fan. Uber gorehounds with rejoice in the splatterific scenes involving chainsaws, stab-o-palooza and an uncomfortable rape-ture. The end of Rage is pure madness and one final twist breaking down what the fuck just happened is the WTF of the entire movie.

Let me get what irked me out of the way. There is a bit of bad acting by all (Dennis's neighbors are cardboardy) and Rick Crawford who plays Dennis goes in and out of his Irish accent on more than one occasion. During highly emotional scenes, none of our actors can emote above a 5. But overall Crawford plays a mousey mouse well and shows a man littered with guilt and believes karma is out to get him.

Witherspoon also added a few B/W tinted flashbacks of scenes that only happened 5 minutes before. I have no idea why these were added. I'm pretty certain I was following along and didn't need a reminder. There were also a few odd camera angles that had me scratching my head ( a lunch scene in particular was a bit odd)

But these can be forgiven because Witherspoon for an indie does a nice job of getting SUV vs motorcycle shots all over Portland. Solid camera work for on the location shooting and I was impressed. It's a testament to Witherspoon's ability to make low level speeding into car chasing awesome.

Rage is clearly a guessing game. Witherspoon plays with the audience tossing in clues and red herrings to get us emotionally vested as well as riddling all of us. His mistress ex BF might be the man under the helmet but we savvy vets are ultimately going with the Twilight Zone route and expect somebody else. Everybody wants to know who this road rager is and why he might be doing it but it's not until the end do we get a clear explanation. At first, I thought I had been gypped, that all that had occurred was too far fetched for our stalker to go through to exact revenge.

But I remembered a scene Witherspoon inserted mid way in where cordial social parking protocol was followed and realized what I was watching. The movie wants you to believe our psychopathic biker is the embodiment of karma, what goes around comes around. Our man Dennis has to pay for his transgressions, for all the evil that he has done to his wife and to others. It's a brilliant play on the audience's preconceived notions of what we SHOULD expect. But the world is a much simpler place. People get angry for the stupidest and dumbest reasons and real ultra violence happens for far less. I mean people got beatdown for retro Air Jordans, wedding dresses and an Xbox during Black Friday madness.

All the clues lead to Rage. It's the damn title in the movie and the clues are littered throughout peaking at that scene I mentioned earlier. Witherspoon's Rage is so creatively smart that even the best cinema-phile might have been duped. It's one of the best movies I saw in 2011 and I'm going to keep my eyes on Witherspoon (he played the biker BTW). In a few years, we might be calling it Witherspoon terror magic instead.

Nude-ipedia

Nada

Gore-ipedia

Chainsaw trauma
Stabby stab stab stab

WTF moment

The reveal at the end

The Jaded Viewer's Final Prognosis

I get a lot of indie screeners sent to me and I toss them into a pile and figure I'll get to them eventually. But the horror blogosphere is getting this little indie the buzz it deserves and I decided to watch it based on the hype.

Rage has no release date but it has won tons of awards. Rage won top honors at the 2011 Horror Quest Film Festival in Atlanta, Georgia. Rage screened in festivals across America and all over the world including the Oldenburg International Film Festival in Oldenburg, Germany and the Cryptshow Film Festival in Barcelona, Spain.

Hopefully Witherspoon gets a distributor so the horror universe can see this awesome bad boy.

The Vitals

• The official site

Rating:


Check out the trailer.

I Saw the Devil (Review)

I Saw the Devil

I Saw the Devil (Akmareul boatda) (2011)

Directed by Jee-woon Kim

"I will kill you when you are in the most pain. When you're in the most pain, shivering out of fear, then I will kill you. That's a real revenge. A real complete revenge."

-Soo-hyun

It wouldn't be the same if Korea didn't release an awesome revenge flick this year. But surprisingly they released 2 stellar revenge movies with Bedevilled being the other. I Saw the Devil is on lots and lots of Best of 2011 lists and deservedly so. It's a top notch, blood soaked crime thriller that echoes the pantheon of awesome Korean revenge but takes a step into a whole new frontier. You're not just given a rinse and repeat formula, oh no. In this dark and dreary tale, Jee-woon Kim serves up a curveball that will befuddle all your senses, pull your emotions and have your jaw completely on the floor.

What separates I Saw the Devil from its American counterparts is a sense of humanity that gets loss at our most vulnerable. The white knight becomes dark. And the level of grey is maximized to give the audience a decision to evaluate who is exactly the "devil" in this film.

I haven't questioned my loyalties in a while but I Saw the Devil is like a personality test for all those involved. Revenge is a dish best served on a heaping pile of decapitated heads and blood splattered walls and floors. I wouldn't want it any other way.

Boring Plot-O-Matic

I SAW THE DEVIL is a shockingly violent and stunningly accomplished tale of murder and revenge. The embodiment of pure evil, Kyung-chul is a dangerous psychopath who kills for pleasure. On a freezing, snowy night, his latest victim is the beautiful Juyeon, daughter of a retired police chief and pregnant fiancée of elite special agent Soo-hyun. Obsessed with revenge, Soo-hyun is determined to track down the murderer, even if doing so means becoming a monster himself. And when he finds Kyung-chul, turning him in to the authorities is the last thing on his mind, as the lines between good and evil fall away in this diabolically twisted game of cat and mouse.

Awesome Review-O-Matic

Simple premise really. Fiancee of special agent Soo-hyun is killed by a most depraved serial killer Kyung-chul, who makes Hannibal Lecter look like Mickey fuckin Mouse. In his quest for revenge, Soo-hyun methodically tracks down the scum of Seoul until he finally meets our fucked up Dexter. But death would be too quick for Kyung-chul so Soo-hyun decides to turn the tables as the cat is now the mouse. It's this twist that breaks the mold. It's executed brilliantly and the path these two leave are dead bodies, scarred victims, confused cops and massive beatings not seen since Oldboy.

The type of revenge Soo-hyun implements is almost as methodical as a serial killer. It's calculated, it's wicked and it's fucked up beyond what I can describe. But clearly this Korean revenge film could have delved into mucho sadness but during the cat and mouse scenes, it echoes a Tom and Jerry vibe. The violence is insanely sadistic but in almost over the top cartooney way. We get head bashing, bag suffocation, Achilles heel trauma, random pipe beatings and mouth trauma. Really in all this mayhem, I found myself chuckling at the ACME level smashes to the sternum.

But what drives I Saw the Devil is clearly it's two main pro/ant-gonists.

Let's start off with Kyung-chul (Min-sik Choi). He is a serial killer who has no morality whatsoever. We see him hunt women and kill them without any remorse. Choi is absolutely brilliant displaying a performance that shows a man who in this midst of survival and second chances remains as evil as can be. True evil killers, similar to a Category III HK flick villain are what Kyung-chul embodies. He is a wolf and clearly he sees all people as his sheep. Even though he is bruised, battered and rundown, he still unleashes his teeth. It's unbelievable. Instinct would tell you that once you got the shit beaten out of you, you'd give up. But it's Kyung-chul's perseverance that is a trait that no other serial killer on screen has ever shown.

With Soo-hyun, he slowly devolves, losing his humanity in his quest for vengeance. Like Ahab in Moby Dick, all he cares about is slaying the White Whale that crippled him. His fiancee's death, she was the daughter of a former police chief, has driven him into madness and Byung-hun Lee plays him with a calm robotic quality. All his anger and sadness are buried deep and in the film's final act does it unleash into a wicked but clever way. Great performances by these actors.

I Saw the Devil is stylish, punch in the gut of what revenge cinema can do to you. Your emotions sway and the basic instinct to give "an eye for an eye" are something we all have thought about. Like it's well known predecessor Oldboy, it has a twist and a rawness we Western audiences hardly see in are Hollywood CGI blockbusters. It's why the Dark Knight seemed to work for us when it gave us the same dilemma.

Let's make sure that I Saw the Devil gets the accolades it deserves. It's a bloody, gore splatterific opera of revenge cinema at it's sharpest. A movie that leaves you thinking of what YOU would do if faced with the same situation. If you had superhero, CIA-tech and awesome fight skills like Soo-hyun, would you do the same? Are we all capable of being evil when we believe it's justified?

Who exactly is the devil in the film? Maybe it's actually all of us idly applauding this masterful and brilliant film of 2011.

Nude-ipedia

Victim boobies are creepy to look at

Gore-ipedia

So much gore and splatter if you blinked, you'd miss a decap

WTF moment

Our killer makes a discovery in the bathroom
The ending

The Jaded Viewer's Final Prognosis

See this bad boy ASAP. It's out on Blu-Ray and DVD released via Magnet Releasing. I still have chills thinking about that ending. Fuckin brutal.

The Vitals

• The official site

Rating:

Check out the trailer.

The Innkeepers (Review)

The Innkeepers

The Innkeepers (2011)

Directed by Ti West

There is a king of the slow burn horror movie and his name is Ti West. West, who's filmography includes The Roost, Cabin Fever 2 and The House of Devil has made a name for himself in the methodically paced horror movie. I was not a fan of this in The House of the Devil writing:

"However, at the end of the day the movie is a wicked slow slow slow burn. It takes so long to get to the nitty gritty that no Red Bulls were helping to keep me awake."

However, in The Innkeepers the slow burn has hills and valleys and surprisingly has humor in it filled with cleverisms and pop culturisms that rescue it from being engulfed in eternal boredom. It dabbles in LOLs while fine tuning a ghost story as it's central premise. What you get is a fun, mish mash of amateur ghost hunter hipsters making contact with the ethereal plain which slowly evolves The Innkeepers into a non laughing matter.

The Innkeepers is smart enough to know it's audience and by doing so gives us an old fashioned spooky throwback ghost story that balances the line between being cute and scary. The characters are drones, the guests are odd and the ghosts are cliched visual jump scares. With all the said, I still had a few problems with West's lack of a firepower ending and his overabundance to drag the movie into zzzzzzzzzzz territory but some things can be overlooked when I'm having fun.

But I'm all for the nostalgia for my vintage Poltergeists for the new millennium. The Innkeepers could be Generation X's's answer to that 80s classic.

Boring Plot-O-Matic

After over one hundred years of service, The Yankee Pedlar Inn is shutting its doors for good. The last remaining employees - Claire (Sara Paxton) and Luke (Pat Healy)- are determined to uncover proof of what many believe to be one of New England's most haunted hotels. As the Inn’s final days draw near, odd guests check in as the pair of minimum wage “ghost hunters” begin to experience strange and alarming events that may ultimately cause them to be mere footnotes in the hotel’s long unexplained history.

Awesome Review-O-Matic

When you do a supernatural horror movie, you can possibly go one of two ways. You can go all LOLs or you could go deadly serious. It seems Ti West elected to do both. In The Innkeepers, Claire (Sara Paxton) and Luke (Pat Healy) are hotel worker drones who man the Yankee Pedlar Inn (in CT) for one last weekend before it goes out of business. There is a history of dread, as the hotel has a legend of Madeline O'Malley, whose death in a cellar has caused her to haunt this now defunct hotel.

The movie revolves around the dynamic of our hipster duo. Luke documents the history of his paranormal workplace on a website while Claire is in awe of a famous old timey actress (who she adores) that has checked into the hotel. Both are realistic drones who burn their boredom away with clever dialogue, actual job duties, beer and a search for scientific proof of the supernatural.

Staying at the hotel 24/7, they take shifts but at night, Claire goes all Fox Mulder and starts hearing the creeks and squeaks of something not right. It's here West goes all slow burn, hovering above Claire as she searches the remnants of a hotel (sometimes in full daylight) other times in the dead of night. Sara Paxton has a mesmerizing quality that made me buy into her performance. Claire is an asthmatic, everyday girl whose ambition has slowly died away. Paxton's performance is quirky stellar, similar to that of the cutout of a "hot gamer girl" but in this case "hot ghost hunter girl".

Pat Healy's Luke is goofball lovable. He's the horror geek, bad at web design, obsessed with the supernatural and possibly infatuated with his partner in crime. And his performance is not condescending to us horror hipsters at all. I could easily call these characters my friends.

But West wants to make sure that you get just enough haha's before he unleashes his House of the Devil style slow burn jump scares. And don't worry you get some eerie buildup of falsehoods and glimpses of either hallucinations, dreams or actual paranormal phenomenon. The fact that it's vague is part of the charm all the way to the end. It's almost a perfect film in how the atmosphere gets built up (a lost art in my opinion) and a perfect blueprint feature resembling those viral Internet videos with the "actual ghost footage" that leads to a growly scream of a "ghost" that usually scares the shit out of you.

My gripes, though few, are the things I originally said about House/Devil. I appreciate the false alarms but they take fuckin a Lord of the Rings trilogy to get there. Other characters such as Leanne Rease-Jones (played by Kelly McGillis) is the equivalent of the guy who always knows about the legend. Leanne plays a healer/medium who senses danger but elects to stay at the creepy hotel anyway. A few more guests make appearances but none add to the overall film.

Finally, I still don't think Ti West knows how to end a film. With such buildup, one demands an ending which can hold up the entire movie. Instead, West goes all conventional and I was a bit disappointed. I'm not looking for some M. Night Shalatwisters, but it still felt a little flat.

But as I said before The Innkeepers is damn fuckin smart. Characters react as I thought I would react, they get nervous, stammer and crack jokes like I would. Call me a horror hipster too. I'm not ashamed. The Innkeepers is a Generation X ode to the horror ghost story that younglings will like but keep us hardcore aged horror fanatics on our toes. I love my nostalgia not remade but repackaged in original creative tales. Ti West has finally made a movie I liked, nay loved. That's a first.

The slow burn horror king has built a kingdom with a unique style, flair and has a treasure room of all those very familiar cliches. Sometimes royalty shares the wealth with the people and Ti West does just that. Hopefully the 99% will see The Innkeepers for the gem that it is.

Nude-ipedia

Sara Paxton shows some leg (she's so damn cute!)

WTF moment

The first encounter with Madeline O'Malley

The Jaded Viewer's Final Prognosis

The Innkeepers will premiere on Video in Demand on December 30th, 2011. It'll be in theaters on February 3rd, 2012 courtesy of Magnet Releasing. The film is in conjunction with Dark Sky Films and Larry Fessenden's Glass Eye Pix.

The Innkeepers is definitely going to find a place on my Top 10 of 2011 list. If you're looking for a quality old fashioned spookster, this is the perfect film.

The Vitals

• Facebook Page

Rating:

Check out the trailer.

The Woman (Review)

The Woman

The Woman (2011)

Directed by Lucky McKee

Oddly enough, I think I was one of the few who watched Andrew van den Houten's The Offpsring, the original movie The Woman is a sequel to. I gave it a "C" which is the equivalent of 2 spinkicks. I originally wrote:

"What the book and Ketchum tried to hint at is that these cannibals are like locusts and it’s in their nature to kill. Moreover, the “civilized” ex-husband versus the uncivilized cannibals act eerily similar when their lives are on the line. That’s the connection you should have made but the movie fails at this and all we’re left with is kid on kid violence for the sake of shock value."

With The Woman however, that connection is clearly made and the shock value is amped up to give you a fuckin punch in the nuts. What you get is a film that clearly satires the -ism it puts front and center and spews a vicious gore appetite, the squeamish may just walk out of the theater (which is what happened in Sundance).

Lucky McKee and Jack Ketchum with The Woman challenge your perceptions of civility by sending you scene after scene of what misogyny and sexism looks like on gamma radiated steroids. It's disgustingly violent and atrociously hard to watch but in this disturbed suburban nightmare, father demands he knows best and some may actually may agree. I was truly mesmerized by this tale of satire-sploitation. It's a film with exploitation characteristics but has so much to say as well.

The Woman will clearly be a "love it" or "hate it" film. It's a satire of the cookie cutter American family and the values they teach to their children. Even in this odd set up of a feral woman being "civilized", there is black humor and a few chuckles. The movie attacks traditional gender roles and the woman in The Woman maybe not be who we think she is. I have to say, it's a masterpiece of Americana horror satire, a film you have to respect because it hints at a truth that we all want to deny is real.

Boring Plot-O-Matic

Family man and lawyer Christoper Cleek (Sean Bridgers) must do what he can to protect his family when he comes into contact with a feral woman (Pollyana McIntosh) living in the woods near his isolated country home. Through a series of harrowing encounters Cleek and his family quickly discover there is more to this woman than anyone would suspect and that sometimes the devil wears a handsome face.

Awesome Review-O-Matic

Let's get the nuthshell plot out of the way. We meet the Cleek family, Chris (Sean Bridgers) our alpha male, hunter and lawyer father, his wife Belle (Angela Bettis) who plays the obedient house mom, their daughter Peggy whose having teen issues that could be featured on MTV, their son Brian, a clone of his father and wee Darlin (their youngest).

Meeting this functional family in suburbia, one can only believe their is more to them than meets the eye. Chris is a motherfuckin patriarch of patriarchs. He is a throwback of man and he has "civilized" his family to know their roles. Discipline is handed out in physical abuse, where a Rick Flair "Woooooo!" would be said after every slap. When Chris discovers a feral woman (Pollyanna McIntosh) in the woods, his instincts (sexual) and other wise get raised and he decides to bring her home to the family for her rehabilitation. Like a sick dog, the family does has dear old dad tells them to.

Soon the dysfunction is hitting everybody in the family. Dad's being too comfortable with our savage in the cellar, son is becoming like dad and the the boiling point of mom is breaking. Secrets are revealed and the final 30 minutes are off the charts on the WTF scale. The Woman is a play on how those red states might believe is what America should be, spewing the same hate on the airwaves and brainwashing their children to do the same.

The performances are top notch with McIntosh delivering a seething anger through incomprehensible dialogue and emotional vengeance stamped to her face. She is beautiful but deadly and shows a flair aiken to Jenny Spain in Dead Girl. Bridgers is stellar as the misogynistic father who unleashes fury to get his respect. Bettis has a memorable scene when she unleashes her vent up frustration and anger. Great overall performances by the cast all around.

The Woman has a feminist agenda for sure. It dabbles on the identity of gender roles, maternal instinct and how compliance is just as deadly when nobody questions authority. It's easy to ask why nobody questions their father's judgement. But one should ask how savages can act civilized while we in the modern world do not. We cover our savagery with colorful dialogue, double entendres and we give B.S. reasons for our abuse.

The Woman shows America's contradiction in a bloody gory horror movie. When you remove the blood and gore, what you get is an examination of how mentally savage we might be. That's almost as sickening as seeing our Woman slaughter her captors.

Gore-ipedia

Ripped Necks
Bloodied corpse
Random neck trauma
Slice and diced
Oozing orifices

Nude-ipedia

The lovely Pollyanna McIntosh gets naked (full frontal) multiple times

WTF moment

The family's secret
The last 15 min

The Jaded Viewer's Final Prognosis

The Woman is headed towards my Top 10 Horror Movies of 2011 for sure. I was a little scared this wouldn't live up to the hype I gave it. It is the definitive Lucky McKee movie, the one that hovers above 76% on Rotten Tomatoes and deservedly so. No horror movie this year has made wince, cringe, nauseate and think all the same time. See The Woman.

Rating:
1/2

Check out the trailer.